Autores:
  • If an art has for its function to represent manners and people, I do not see how it can avoid systematizing its sensibility to the extent of showing some figures much as Molière, for instance, did, as absurd or detestable.

    Wyndham Lewis (1929). “The Diabolical Principle and The Dithyrambic Spectator”, p.38, Ardent Media