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Una buena parte de mi trabajo con Tangerine Dream en aquella época tenía que ver con la música de cine, y recuerdo que lo abordé como lo haría cualquier joven de 23 años: sin mucho miedo ni respeto. Además, normalmente se pedía a Tangerine Dream que ofreciera un tipo de partitura monocromática, el sonido electrónico-analógico característico por el que TD se había hecho famoso tras películas emblemáticas como Sorcerer [Universal, 1977], Thief [MGM, 1981] y Risky Business [Warner Brothers, 1983].
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![A good portion of my work with Tangerine Dream at the time involved film music, and I remember approaching it as any 23-year-old would - without much fear or respect. Also, Tangerine Dream was typically asked to deliver a monochromatic kind of score, the electronic-analog trademark sound that TD had become famous for following landmark films such as Sorcerer [Universal, 1977], Thief [MGM, 1981], and Risky Business [Warner Brothers, 1983]. - Paul Haslinger](https://www.azquotes.es/picture-quotes/quote-a-good-portion-of-my-work-with-tangerine-dream-at-the-time-involved-film-music-and-i-paul-haslinger-145-19-00.jpg "A good portion of my work with Tangerine Dream at the time involved film music, and I remember approaching it as any 23-year-old would - without much fear or respect. Also, Tangerine Dream was typically asked to deliver a monochromatic kind of score, the electronic-analog trademark sound that TD had become famous for following landmark films such as Sorcerer [Universal, 1977], Thief [MGM, 1981], and Risky Business [Warner Brothers, 1983]. - Paul Haslinger")
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