Computer Animation Quotes

• La animación ofrece un medio de narración y entretenimiento visual que puede proporcionar placer e información a personas de todas las edades en cualquier parte del mundo.

  Walt Disney

  Disney Animation, Gente, Edad

  "La exposición del COSI explora el mundo de los dibujos animados". The Review, 2 de agosto de 2007.

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• Computers don't create computer animation any more than a pencil creates pencil animation. What creates computer animation is the artist.

  John Lasseter

  Artist, Computer, Animation

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• Si estás sentado en tu monovolumen, reproduciendo tus películas de animación por ordenador para tus hijos en el asiento de atrás, ¿es la animación lo que te entretiene mientras conduces y escuchas? No, es la narración. Por eso damos tanta importancia a la historia. No hay animación que salve una mala historia.

  John Lasseter

  Niños, Sentarse, Cuentos

  "Un minuto con John Lasseter, de Disney, sobre la magia de los Oscar". Entrevista con Zorianna Kit, uk.reuters.com. 25 de febrero de 2010.

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• In Hollywood, they think drawn animation doesn't work anymore, computers are the way. They forget that the reason computers are the way is that Pixar makes good movies. So everybody tries to copy Pixar. They're relying too much on the technology and not enough on the artists.

  Tim Burton

  Technology, Thinking, Artist

  "Biography/Personal Quotes". www.imdb.com.

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• Computer animation is one way to liberate people from their circumstantial gravity, and it is one way to give them mental freedom.

  Cai Guo-Qiang

  People, Giving, Way

  Interview with Germano Celant, www.artinamericamagazine.com. July 28, 2010.

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• In computer animation, every detail has to be thought out, designed, modeled, shaded, placed and lit. The more you add, the more computer memory you need.

  John Lasseter

  Memories, Details, Add

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• I don't even know how computer animation works, honestly, and I don't need to.

  Dan Scanlon

  Needs, Computer, Animation

  Fuente: collider.com

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• Sure, they were simple desk lamps with only a minimal amount of movement, but you could immediately tell that Luxo Jr. was a baby, and that the big one was his mother. In that short little film, computer animation went from a novelty to a serious tool for filmmaking.

  John Lasseter

  Movie, Mother, Baby

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• Siempre me ha gustado la animación, es la razón por la que hago lo que hago para ganarme la vida: las películas de Walt Disney. Esta forma de arte es tan espectacular y hermosa. Y nunca he entendido la idea de los estudios de animación de que el público de hoy sólo quiere ver animación por ordenador. Nunca se trata del medio en el que se hace una película, sino de la historia. Se trata de lo buena que es la película.

  John Lasseter

  Hermoso, Arte, Sentimientos

  "John Lasseter vuelve a la animación dibujada a mano con La princesa y el sapo". Entrevista con B. Alan Orange, www.movieweb.com. 13 de marzo de 2010.

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• Animation, for me, is a wonderful art form. I never understood why the studios wanted to stop making animation. Maybe they felt that the audiences around the world only wanted to watch computer animation. I didn't understand that, because I don't think ever in the history of cinema did the medium of a film make that film entertaining or not. What I've always felt is, what audiences like to watch are really good movies.

  John Lasseter

  Art, Thinking, Good Movie

  Fuente: www.movieweb.com

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• First of all, computer animation is certainly a tremendous and viable medium today. But the warmth and personality derived from 2-D animation, in my opinion, cannot be surpassed. Certain stories lend themselves well to 3-D animation and I won't labor this with naming them, but in my bones, I still respond more emotionally to the artists feel in 2-D. You feel the 'actor' in the animator more personally...it's hard to explain.

  Richard Sherman

  Artist, Personality, Stories

  Fuente: www.movieweb.com

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• I don't know how to animate on the computer, and I'm really grateful that I worked with a couple of other guys. We called it our triumvirate, John Kahrs and Clay Kaytis, who really understood computer animation but loved and embraced hand drawn, which is Disney's heritage.

  Glen Keane

  Couple, Grateful, Hands

  Fuente: www.indielondon.co.uk

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• Even if you have money, access to MoCap technology, and strong choreographic and computer-animation abilities, don't try to make a film like this if you don't have a lot of patience, perseverance and a deep affinity for risk-taking.

  Martine Epoque

  Perseverance, Strong, Technology

  Fuente: blogs.indiewire.com

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• Siempre hay sitio para la imagen dibujada a mano. Personalmente, me gusta más la imperfección del dibujo a mano que el aspecto liso de la animación por ordenador. Pero se pueden hacer cosas buenas de cualquier manera. Las películas de Pixar son asombrosas, pero hay muchos animadores independientes que también hacen cosas increíbles.

  Matt Groening

  Independent, Drawing, Hands

  Interview with Kyle Ryan, tv.avclub.com. March 25, 2009.

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• To take full advantage of computer animation, you have to pay as much attention to the believable as you do the unbelievable.

  John Lasseter

  Attention, Pay, Computer

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