Citas sobre diseño de producción

• Different people have different styles, but there is an opportunity as a director to be a writer in every moment, with every visual cue and every piece of production design. Everything is a decision, and everything can be obsessed over.

  B. J. Novak

  Opportunity, People, Design

  Interview with Nathan Rabin, www.avclub.com. August 19, 2009.

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• No matter what I do, all people talk about is production design, whether it's not good enough or it is good enough. And I'm thinking: This is because my content makes people uncomfortable. It's a way for people to not talk about the content.

  Anna Biller

  Thinking, People, Not Good Enough

  Fuente: www.avclub.com

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• Tone is always such an important thing, and that's achieved through a multitude of people. It comes through the writing, it comes through the way it's shot, and it comes through the production design and the sound design.

  Harry Treadaway

  Writing, People, Design

  Fuente: collider.com

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• I actually started as a model builder and quickly progressed into production design, which made sense because I could draw and paint. But I kept watching that guy over there who was moving the actors around and setting up the shots.

  James Cameron

  Moving, Design, Guy

  James Cameron, Brent Dunham (2012). “James Cameron: Interviews”, p.114, Univ. Press of Mississippi

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• To go to L.A. and be on the Addams Family set? It was beautiful production design and an illustrious set. I'm focused on never losing that sense of privilege. I'm still like, "I'm super lucky."

  David Krumholtz

  Beautiful, Design, Lucky

  Fuente: www.avclub.com

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• Todos los que trabajan a las órdenes de los hermanos Coen, en todos los departamentos -maquillaje, peluquería, diseño de producción, vestuario, etcétera, etcétera, agarre, iluminación, tecnología, todo- son los mejores. Así que estar en un plató trabajando con los mejores de la industria fue un auténtico privilegio.

  David Krumholtz

  Hermano, Real, Maquillaje

  Fuente: www.avclub.com

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• Si nos fijamos en Cinderhella, desde el punto de vista del diseño de producción, intenté encontrar un personaje interesante, icónico, con la cara envuelta en vendas. Era divertido. A nivel de lógica onírica, verás los paralelismos de esa interesante conexión que hice. Hay una razón por la que se llama Cinderhella.

  Joseph M. Kahn

  Dream, Character, Interesting

  Fuente: collider.com

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• One of the things about working for an old school studio like Warner Bros. is that there is an institutional culture and institutional memory, in terms of production design, camera work, and directors who understand how to do this kind of thing.

  Bruno Heller

  Memories, School, Design

  Fuente: collider.com

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• Me apunté a la escuela de arte, pero había una lista que decía que tenía que hacer diseño de producción, dirección escénica o interpretación. Pensé: "No quiero ser actor, pero sé que en producción y dirección escénica se dan clases de interpretación"; este es literalmente mi monólogo interno. Yo estaba como, "Los diseñadores no tienen que tomar clases de actuación. Guay. Marcaré esa casilla".

  James Pearse Connelly

  Art, School, Class

  "What goes into designing The Biggest Loser's sets, stages, and chill rooms?". Interview with AVC, tv.avclub.com. June 27, 2016.

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• The terrain of the face is the most dynamic thing you can point the camera at, to me. I love production design and bells and whistles and all of that. I love a technograin as much as the next gal, but a great actor's face? What else should we be looking at?

  Ava DuVernay

  Design, Cameras, Actors

  Fuente: www.vulture.com

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• Es un verdadero testimonio de la cantidad de habilidad y talento que hay en todos los aspectos, ya sea el diseño de producción, la construcción, el diseño de vestuario, los otros actores, la forma en que está rodada, los directores que hemos tenido y, obviamente, el guión de John. Cuando las cosas salen bien, a veces parece fácil, de una manera extraña, pero en realidad se debe a un montón de engranajes que trabajan en una gran máquina. Pero, ciertamente estoy feliz de volver. Me entusiasma seguir adelante.

  Harry Treadaway

  Real, Escritura, Habilidades

  Fuente: collider.com

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• I wrote the plot [for the Persepolis ]and Vincent [Paronnaud] and I wrote and discussed the shooting of the script. Vincent then took care of the production design, the actual shooting, and what was going on within each scene. It's very difficult, though, to draw a line between who did what. Because Vincent would say something, and I would add something, and at the end you have this film, yet no clear idea of who did what.

  Marjane Satrapi

  Ideas, Design, Plot

  Fuente: www.indiewire.com

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• What makes a mockery of a lot of these 3D conversions, where they're shot in 2D and converted to 3D. Having laid a real 3D movie, you realize that it's right in the production design. You design sets that enhance the 3D and you design interactive elements, like the rain or smoke. If you're shooting 2D, you don't know about that.

  Paul W. S. Anderson

  Real, Rain, Design

  Fuente: collider.com

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• When we came to America, the movies here needed a "new wave." European films looked totally different than American movies, which were these lush, glossy pictures with this elaborate production design.

  Vilmos Zsigmond

  America, Design, Different

  Fuente: www.pbs.org

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• Cuando eres actor, estás sujeto al diseño de producción, al vestuario, a los directores, a las decisiones de los estudios y de los productores, pero cuando escribes, estás creando tu propio mundo en tu cabeza, poblado de tus pequeños personajes. Nadie se mete en él, al menos al principio, aunque lo hará. Con éste y los otros proyectos en los que estoy trabajando, tendrá que ser regalado, y tendrá que ser propiedad de otra persona.

  Rainn Wilson

  Escribir, Personaje, Crear

  Entrevista con Nathan Rabin, film.avclub.com. 19 de agosto de 2008.

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• I was in college, and very disappointed. I majored in commercial art and interior design for three or four years. At that time, it seemed the thing I really wanted to do, production design, just wasn't available in the U.K., so I turned to music.

  Eric Burdon

  Art, College, Years

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• Stargate by far is the top of the pile when it comes to Sci-Fi. The quality is great. They have really good writers, production design, lighting, wardrobe.

  Corin Nemec

  Design, Quality, Sci Fi

  Biografía/Citas personales, www.imdb.com.

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