Citas de Stella Adler

• Growth as an actor and as a human being are synonymous.

  Stella Adler

  Growth, Theatre, Actors

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• La vida golpea y aplasta el alma y el arte te recuerda que tienes una.

  Stella Adler

  Life, Music, Crush

  Stella Adler (2012). “Stella Adler on America's Master Playwrights: Eugene O'Neill, Thornton Wilder, Clifford Odets, William Saroyan, Tennessee Williams, William Inge, Arthur Miller, Edward Albee”, p.11, Vintage

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• Your curse is that you have chosen a form that requires endless study .... It means you have to read, you have to observe, you have to think, so that when you turn your imagination on, it has the fuel to do its job.

  Stella Adler

  Trabajo, Medio, Pensamiento

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.85, Hal Leonard Corporation

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• Acting is in everything but the words.

  Stella Adler

  Actuando

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.51, Hal Leonard Corporation

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• You will only fail to learn if you do not learn from failing.

  Stella Adler

  Fallar, Si

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.38, Hal Leonard Corporation

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• El actor tiene que desarrollar su cuerpo. El actor tiene que trabajar su voz. Pero lo más importante es su mente.

  Stella Adler

  Inspirational, Motivational, Voice

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.19, Hal Leonard Corporation

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• La palabra teatro procede de los griegos. Significa el lugar donde se ve. Es el lugar al que la gente acude para ver la verdad sobre la vida y la situación social.

  Stella Adler

  Mean, People, Greek

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• The only excuse for not coming to a class or a performance is death.

  Stella Adler

  Class, Excuse, Performances

  Stella Adler (2012). “Stella Adler on America's Master Playwrights: Eugene O'Neill, Thornton Wilder, Clifford Odets, William Saroyan, Tennessee Williams, William Inge, Arthur Miller, Edward Albee”, p.341, Vintage

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• Actors need a kind of aggression, a kind of inner force. Don't be only one-sided, sweet, nice, good. Get rid of being average. Find the killer in you.

  Stella Adler

  Sweet, Nice, Average

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.226, Hal Leonard Corporation

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• You'll begin to act when you can forget your technique - when it is so securely inside you that you need not call upon it consciously.

  Stella Adler

  Technique, Needs, Forget You

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.260, Hal Leonard Corporation

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• Cuando subes al escenario debes tener la sensación de que te diriges al mundo entero y de que lo que dices es tan importante que el mundo entero debe escucharte.

  Stella Adler

  Important, Acting, World

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.22, Hal Leonard Corporation

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• Emotions aren't doable. Actions are doable, and if you do them correctly, they prompt the feelings.

  Stella Adler

  Feelings, Action, Emotion

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.139, Hal Leonard Corporation

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• You act with your soul. That's why you all want to be actors, because your souls are not used up by life.

  Stella Adler

  Soul, Actors, Want

  "Biography/ Mini Bio". www.imdb.com.

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• Tienes que ir más allá de tus preciosas experiencias internas.

  Stella Adler

  Experiencia

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.65, Hal Leonard Corporation

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• Your job as actors is to understand the size of what you say, to understand what's beneath the word.

  Stella Adler

  Jobs, Actors, Size

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.233, Hal Leonard Corporation

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• Don’t use your conscious past. Use your creative imagination to create a past that belongs to your character. I don’t want you to be stuck with your own life. It’s too little.

  Stella Adler

  Character, Past, Imagination

  "‘The Truth of Your Art Is in Your Imagination’" by Rue Faris Drew, www.nytimes.com. August 15, 1976.

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• When an acting teacher tells a student 'that wasn't honest work' or 'that didn't seem real,' what does this mean? In life, we are rarely 'truthful' or 'honest' or 'real'. And characters in plays are almost never 'truthful' or 'honest' or 'real'. What exactly do teachers even mean by these words? A more useful question is: What is the story the actor was telling in their work? An actor is always telling a story. We all are telling stories, all the time. Story: that is what it is all about.

  Stella Adler

  Profesor, Real, Carácter

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• Your talent is in your choice.

  Stella Adler

  Choices, Talent

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• It's not enough to have talent. You have to have a talent for your talent.

  Stella Adler

  Theatre, Acting, Talent

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• Happy children should not try to be artists. You have to be born with a broken heart and a sense of loneliness inside. I never had a happy moment as a child myself.

  Stella Adler

  Children, Loneliness, Heart

  Stella Adler (2012). “Stella Adler on America's Master Playwrights: Eugene O'Neill, Thornton Wilder, Clifford Odets, William Saroyan, Tennessee Williams, William Inge, Arthur Miller, Edward Albee”, p.87, Vintage

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• Acting can be the healthiest profession in the world, because it allows you to do things you can't do in real life. It allows you to understand more than just what life provides you.

  Stella Adler

  Real, Acting, World

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.83, Hal Leonard Corporation

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• You'll never really be great unless you aim high.

  Stella Adler

  Aim High, Aim

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.32, Hal Leonard Corporation

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• Life is boring. The weather is boring. Actors must not be boring.

  Stella Adler

  Weather, Actors, Life Is

  Stella Adler (2012). “Stella Adler on America's Master Playwrights: Eugene O'Neill, Thornton Wilder, Clifford Odets, William Saroyan, Tennessee Williams, William Inge, Arthur Miller, Edward Albee”, p.11, Vintage

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• Una forma de avivar la imaginación es empujarla hacia lo ilógico. No somos científicos. No siempre tenemos que dar el salto lógico y razonable.

  Stella Adler

  Imagination, Acting, Way

  Howard Kissel, Stella Adler (2000). “Stella Adler - The Art of Acting: preface by Marlon Brando compiled & edited by Howard Kissel”, p.71, Hal Leonard Corporation

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• To grow: that is your deepest and truest need when you say, 'I want to be an actor.'

  Stella Adler

  Needs, Actors, Want

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