Susan Sontag Quotes About Writing

• There is a great deal that either has to be given up or be taken away from you if you are going to succeed in writing a body of work.

  Susan Sontag

  Taken, Writing, Body

  Susan Sontag (2012). “As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980”, p.547, Macmillan

• Writing is a little door. Some fantasies, like big pieces of furniture, won’t come through.

  Susan Sontag

  Writing, Doors, Pieces

  Susan Sontag (2012). “As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980”, p.45, Macmillan

• I don't write because there's an audience. I write because there is literature.

  Susan Sontag

  Writing, Literature, Audience

• I write - and talk - in order to find out what I think.

  Susan Sontag

  Escribir, pensar, ordenar

  Susan Sontag (2012). “As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980”, p.169, Macmillan

• I don't write easily or rapidly. My first draft usually has only a few elements worth keeping. I have to find what those are and build from them and throw out what doesn't work, or what simply is not alive.

  Susan Sontag

  Writing, Elements, Alive

• To make your life being a writer, it's an auto-slavery ... you are both the slave and the task-master.

  Susan Sontag

  Writing, Tasks, Slavery

• I am profoundly uncertain how to write. I know what I love and what I like, because it's a direct passionate response. But when I write, I'm very uncertain whether it's good enough. That is, of course, the writer's agony.

  Susan Sontag

  Writing, Agony, Passionate

• Las mejores emociones para escribir son la ira y el miedo. La emoción menos estimulante para escribir es la admiración. Es muy difícil escribir desde ella porque el sentimiento básico que acompaña a la admiración es un estado de ánimo pasivo y contemplativo.

  Susan Sontag

  Arte, Escritura, Sentimientos

• We live under continual threat of two equally fearful, but seemingly opposed destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.

  Susan Sontag

  Art, Writing, Destiny

• The writer is either a practicing recluse or a delinquent, guilt-ridden one--or both. Usually both.

  Susan Sontag

  Inspiration, Writing, Guilt

• I write in spurts. I write when I have to because the pressure builds up and I feel enough confidence that something has matured in my head and I can write it down. But once something is really under way, I don't want to do anything else. I don't go out, much of the time I forget to eat, I sleep very little. It's a very undisciplined way of working and makes me not very prolific. But I'm too interested in many other things.

  Susan Sontag

  Writing, Sleep, Want

• My idea of a writer: someone interested in everything.

  Susan Sontag

  Writing, Ideas, Comeback

  Susan Sontag (2013). “Against Interpretation and Other Essays”, p.323, Penguin UK

• Talking like touching. Writing like punching somebody.

  Susan Sontag

  Writing, Talking, Touching

• We fret about words, we writers. Words mean. Words point. They are arrows. Arrows stuck in the rough hide of reality. And the more portentous, more general the word, the more they can also resemble rooms or tunnels. They can expand, or cave in. They can come to be filled with a bad smell. They will often remind us of other rooms, where we'd rather dwell or where we think we are already living. They can be spaces we lose the art or the wisdom of inhabiting. And eventually those volumes of mental intention we no longer know how to inhabit will be abandoned, boarded up, closed down.

  Susan Sontag

  Arte, Escritura, Media

• A great writer has all 4 - but you can still be a good writer with only 1 and 2.

  Susan Sontag

  Writing, Great Writers, Stills

  Susan Sontag (2008). "Renacida: Diarios y cuadernos, 1947-1963", Farrar, Straus and Giroux

• The solution to a problem - a story that you are unable to finish - is the problem. It isn't as if the problem is one thing and the solution something else. The problem, properly understood = the solution. Instead of trying to hide or efface what limits the story, capitalize on that very limitation. State it, rail against it.

  Susan Sontag

  Escribir, Intentar, Historias

  Susan Sontag (2012). “As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980”, p.409, Macmillan

• The only story that seems worth writing is a cry, a shot, a scream. A story should break the reader's heart.

  Susan Sontag

  Writing, Heart, Stories

  Susan Sontag (2012). “As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980”, p.407, Macmillan

• Why wouldn't you write to escape yourself as much as you might write to express yourself? It's far more interesting to write about others.

  Susan Sontag

  Writing, Interesting, Might

• The truth is always something that is told, not something that is known. If there were no speaking or writing, there would be no truth about anything. There would only be what is.

  Susan Sontag

  Writing, Would Be, Truth Is

  Christine Allison, Susan Sontag (1978). “The benefactor: a novel”, Delta

• If I thought that what I'm doing when I write is expressing myself, I'd junk the typewriter. Writing is a much more complicated activity that that.

  Susan Sontag

  Writing, Typewriters, Junk

• La lectura suele preceder a la escritura. Y el impulso de escribir casi siempre lo provoca la lectura. La lectura, el amor por la lectura, es lo que te hace soñar con ser escritor.

  Susan Sontag

  Dream, Reading, Writing

• Writing is a mysterious activity.

  Susan Sontag

  Writing, Mysterious, Activity

• My urge to write is an urge not to self-expressionism but to self-transcendence. My work is both bigger and smaller than I am.

  Susan Sontag

  Writing, Self, Transcendence

• ...what I write is smarter than I am. Because I can rewrite it.

  Susan Sontag

  Writing, Because I Can, Smarter

• Los comienzos son difíciles. Siempre empiezo con una gran sensación de temor e inquietud. Nietzsche dice que la decisión de empezar a escribir es como saltar a un lago frío.

  Susan Sontag

  Writing, Lakes, Decision

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