Twyla Tharp Quotes - Page 6

• Más adelante en la vida, una de las compensaciones es centrarse sin esfuerzo en una cosa. Puesto que eso es lo que somos, cualquier cosa que no sea el foco o que no lo apoye, simplemente no somos nosotros. Incluso los problemas externos, cuando surgen, son interesantes en el sentido de que sólo ayudan a definir el foco con mayor claridad.

  Twyla Tharp

  Later In Life, Issues, Interesting

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• Creativity is a habit, and the best creativity is a result of good work habits. That's it in a nutshell ... In order to be creative you have to know how to prepare to be creative.

  Twyla Tharp

  Writing, Creativity, Order

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• La práctica perfecta hace al maestro.

  Twyla Tharp

  Practice, Perfect, Practice Makes Perfect

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• We get into ruts when we run with the first idea that pops into our head, not the last one.

  Twyla Tharp

  Running, Ideas, Lasts

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• Once you accept the power of spine in the creative act, you will become much more efficient in your creativity. You will still get lost on occasion, but having a spine will anchor you.

  Twyla Tharp

  Creativity, Power, Anchors

  Twyla Tharp, Mark Reiter (2003). "El hábito creativo: Learn It and Use It for Life", Simon and Schuster

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• One clear difference between art and commercial work is that commercial work is exploitive: the work may be high quality but the intention is to sell product or tickets. Art exists with or without ticket sales.

  Twyla Tharp

  Art, Differences, Quality

  Twyla Tharp (1992). "Push Comes to Shove", Bantam Dell Publishing Group.

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• Men and women are very different athletes, and frankly, I didn't want to deal with the male potential.

  Twyla Tharp

  Athlete, Men, Males

  "La Suma Sacerdotisa del Movimiento Creativo". Entrevista de la Academia de Logros, www.achievement.org. 25 de junio de 1993.

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• I think a sense of humor will help get a girl out of a dark place.

  Twyla Tharp

  Girl, Dark, Thinking

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• The way I enjoyed spending time most was dancing. That's from the time I was a very small child, When I was 4 or 5 years old, I remember already having a regime. It was the way I always identified myself.

  Twyla Tharp

  Children, Years, Dancing

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• In the future, I will make certain that I commit to projects so there's enough breathing space for me to have an emotional life.

  Twyla Tharp

  Emotional, Breathing Space, Enough

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• I'm willing to be regarded as a tyrant to keep my vision intact.

  Twyla Tharp

  Tyrants, Vision, Tyranny

  Twyla Tharp, Mark Reiter (2003). "El hábito creativo: Learn It and Use It for Life", Simon and Schuster

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• En las empresas creativas, la suerte es una habilidad.

  Twyla Tharp

  Skills, Creative, Luck

  Twyla Tharp, Mark Reiter (2003). "El hábito creativo: Learn It and Use It for Life", Simon and Schuster

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• I think of music as fuel, its spectrum of energy governed by tempi, volume, and heart.

  Twyla Tharp

  Music, Heart, Thinking

  Twyla Tharp (1992). "Push Comes to Shove", Bantam Dell Publishing Group.

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• Empecé a distinguir entre miedo y excitación. Los dos, aunque muy cercanos, son completamente diferentes. El miedo es una excitación negativa que ahoga la imaginación. La verdadera emoción produce una energía que supera la aprensión y te hace querer acercarte a tu objetivo.

  Twyla Tharp

  Motivacional, Danza, Real

  Twyla Tharp (1992). "Push Comes to Shove", Bantam Dell Publishing Group.

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• Mi madre fue la primera mujer del condado de Indiana donde nacimos, en el condado de Jay, en tener un título universitario. Se formó como pianista y quería hacer conciertos, pero cuando llegó la guerra estaba casada, tenía familia, así que empezó a dar clases.

  Twyla Tharp

  Mother, War, Teaching

  "A Conversation With Choreographer Twyla Tharp". Interview with Daviv Shenk, www.theatlantic.com. February 26, 2010.

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• Miloš Forman is a great director; Jim Brooks is a wonderful writer and director.

  Twyla Tharp

  Directors, Wonderful, Brooks

  "La Suma Sacerdotisa del Movimiento Creativo". Entrevista de la Academia de Logros, www.achievement.org. 25 de junio de 1993.

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• Los dramaturgos tienen textos, los compositores partituras, los pintores y escultores el residuo de esas actividades, y la danza es tradicionalmente algo efímero, efervescente, de hoy para mañana.

  Twyla Tharp

  Inspirational, Dance, Gone

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• I thought I had to make an impact on history. I had to become the greatest choreographer of my time. That was my mission. Posterity deals with us however it sees fit. But I gave it 20 years of my best shot.

  Twyla Tharp

  Impact, Years, Fit

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• Over time, as the daily routines become second nature, discipline morphs into habit.

  Twyla Tharp

  Discipline, Habit, Daily Routines

  Twyla Tharp, Mark Reiter (2003). "El hábito creativo: Learn It and Use It for Life", Simon and Schuster

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• I think Tolstoy had an unbelievably complicated relationship with women.

  Twyla Tharp

  Thinking, Complicated Relationship, Complicated

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• Any comic is a tragic soul. Comedy is one of the things that allows one to survive. Particularly if one has been in the process of separating off the emotions, it's one place you can process them.

  Twyla Tharp

  Soul, Comedy, Emotion

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• I have a sort of tactility about music. I go into record stores and just run my fingers over it, the spines.

  Twyla Tharp

  Running, Records, Spine

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• Los límites son una bendición secreta, y la abundancia puede ser una maldición.

  Twyla Tharp

  Blessing, Secret, Limits

  Twyla Tharp, Mark Reiter (2003). "El hábito creativo: Learn It and Use It for Life", Simon and Schuster

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• I feel I can handle the architecture of dance as well as anybody.

  Twyla Tharp

  Architecture, Wells, Feels

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• My mother was a dominant force in my life. She had a very specific idea about education, which was: you should know everything about everything. It was quite simple. There was no exclusivity, and there really was no judgment, which is a good thing for someone who still thinks of themselves as a very basic American.

  Twyla Tharp

  Education, Mother, Simple

  "La Suma Sacerdotisa del Movimiento Creativo". Entrevista de la Academy of Achievement, www.achievement.org. 25 de junio de 1993.

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