Yevgeny Zamyatin Quotes - Page 3

• What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturabtion … whereas creative art is more like intercourse, in which the artist must seduce -- render emotional -- his audience, each time.

  Yevgeny Zamyatin

  Art, Emotional, Self

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• Her smile was a bite, and I was its target.

  Yevgeny Zamyatin

  Target, Her Smile, Bites

  Yevgeny Zamyatin (1993). “We: New Edition”, p.34, Penguin

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• All women are lips, nothing but lips.

  Yevgeny Zamyatin

  Labios

  Yevgeny Zamyatin (1993). “We: New Edition”, p.73, Penguin

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• The old, slow, creaking descriptions are a thing of the past; today the rule is brevity - but every word must be supercharged, high-voltage.

  Yevgeny Zamyatin

  Past, Today, Description

  Yevgeny Zamyatin (2010). “We: Introduction by Will Self”, p.16, Random House

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• Truth is the first thing that present-day literature lacks. The writer has drowned himself in lies, he is too accustomed to speak prudently, with a careful look over his shoulder.

  Yevgeny Zamyatin

  Inspirational, Art, Lying

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• The mighty power of logic cleanses all it touches.

  Yevgeny Zamyatin

  Lógica

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• Revolution is everywhere, in everything. It is infinite. There is no final revolution, no final number. The social revolution is only one of an infinite number of numbers: the law of revolution is not a social law, but an immeasurably greater one. It is a cosmic, universal law - like the laws of the conservation of energy and of the dissipation of energy (entropy).

  Yevgeny Zamyatin

  Inspirational, Art, Law

  "A Soviet Heretic : Essays by Yevgeny Zamyatin". 1970.

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• The knife is the most durable, immortal, the most genius thing that man created. The knife was the guillotine; the knife is the universal means of solving all knots; and along the blade of a knife lies the path of paradox - the single most worthy path of the fearless mind.

  Yevgeny Zamyatin

  Mentir, Mal, Hombres

  Yevgeny Zamyatin (2007). “We”, p.103, Modern Library

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• We appeal, not to those who reject today in the name of a return to yesterday, not to those who are hopelessly deafened by today; we appeal to those who see the distant tomorrow -- and judge today in the name of tomorrow.

  Yevgeny Zamyatin

  Names, Yesterday, Judging

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• The moon ... is a mad woman holding up her dress So that her white belly shines. Haughty, Impregnable, Ridiculous, Silent and white as a debauched queen.

  Yevgeny Zamyatin

  Queens, Moon, White

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• Don't forget that we lawyers, we're a higher breed of intellect, and so it's our privilege to lie. It's as clear as day. Animals can't even imagine lying: if you were to find yourself among some wild islanders, they too would only speak the truth until they learned about European culture.

  Yevgeny Zamyatin

  Lying, Animal, Finding Yourself

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• By complex ways, by looking deep into the dark well of the human soul, full of filth, somewhere at the very bottom of it Chekhov at last found his faith. And this faith turned out to be faith in man, in the power of human progress. And man became his god.

  Yevgeny Zamyatin

  Inspirational, Art, Dark

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• And why do you think that foolishness is bad? If human foolishness had been as carefully nurtured and cultivated as intelligence has been for centuries, perhaps it would have turned into something extremely precious.

  Yevgeny Zamyatin

  Thinking, Century, Humans

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• The purpose of art ... is not to reflect life but to organize it, to build it.

  Yevgeny Zamyatin

  Art, Purpose, Organize

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• El Dios antiguo creó al hombre viejo, capaz de errar - así erró él mismo.

  Yevgeny Zamyatin

  Men, Erring, Ancient

  "We". Book by Yevgeny Zamyatin, 1921.

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• To the feudal aristocracy and the aristocracy of the spirit, nobility derives from diametrically opposite sources. The glory of the feudal aristocrat is in being a link in the longest possible chain of ancestors. The glory of the aristocrat of the spirit is in having no ancestors - or having as few as possible. If an artist is his own ancestor, if he has only descendents, he enters history as a genius; if he has few ancestors, or is related to them distantly, he enters history as a talent.

  Yevgeny Zamyatin

  Inspirational, Art, Opposites

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• Every genuine poet is necessarily a Columbus. America existed for centuries before Columbus but it was only Columbus who was able to track it down.

  Yevgeny Zamyatin

  America, Track, Poetry

  Yevgeny Zamyatin (2010). “We: Introduction by Will Self”, p.59, Random House

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• It is not possible to build on negative emotions. Genuine literature will come only when we replace hatred for man with love for man.

  Yevgeny Zamyatin

  Inspirational, Art, Men

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• All of life in its complexity and beauty is forever minted in the gold of words.

  Yevgeny Zamyatin

  Forever, Gold, Complexity

  Yevgeny Zamyatin (2010). “We: Introduction by Will Self”, p.61, Random House

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• The most effective way of destroying art is the canonization of one given form. And one philosophy.

  Yevgeny Zamyatin

  Art, Philosophy, Way

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• Is it not clear, however, that bliss and envy are the numerator and denominator of the fraction called happiness?

  Yevgeny Zamyatin

  Happiness, Envy, Bliss

  Yevgeny Zamyatin (2015). “We”, p.21, HarperCollins

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• You are afraid of it because it is stronger than you; you hate it because you are afraid of it; you love it because you cannot subdue it to your will. Only the unsubduable can be loved.

  Yevgeny Zamyatin

  Hate, Stronger

  Yevgeny Zamyatin (2015). “We: With Introduction, Summary and Analysis”

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• To reflect the entire spectrum, the dynamics of the adventure novel must be invested with a philosophic synthesis of one kind or another.

  Yevgeny Zamyatin

  Inspirational, Art, Adventure

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• What is it to you if I don't want others to want for me, if I want to want myself - if I want the impossible.

  Yevgeny Zamyatin

  Want, Impossible, Ifs

  Yevgeny Zamyatin “We”, Two-Gunner Pulp Press

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• The microspeed of the tongue ought to be always slightly less than the microspeed of the thoughts and certainly not ever the reverse.

  Yevgeny Zamyatin

  Tongue, Reverse, Ought

  Yevgeny Zamyatin (2007). “We”, p.9, Modern Library

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