George Saintsbury Quotes

• The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

  George Saintsbury

  Exercise, Italian, Atmosphere

  George Saintsbury (2012). “The English Novel”, p.44, tredition

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• The hardest thing to attain... is the appreciation of difference without insisting on superiority.

  George Saintsbury

  Appreciation, Differences, Hardest

  George Saintsbury (2008). “Notes on a Cellar-Book”, p.236, Univ of California Press

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• I do not think anything serious should be done after dinner, as nothing should be before breakfast.

  George Saintsbury

  Food, Thinking, Cooking

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• When people cannot write good literature it is perhaps natural that they should lay down rules how good literature should be written.

  George Saintsbury

  Escritura, Personas, Literatura

  George Saintsbury (1950). “A Last Vintage: Essays and Papers”

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• It is the unbroken testimony of all history that alcoholic liquors have been used by the strongest, wisest, handsomest, and in every way best races of all times.

  George Saintsbury

  Beauty, Drinking, Race

  George Saintsbury (1963). “Notes on a cellar-book”

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• Cuando [los vinos] eran buenos complacían mi sentido, alegraban mi espíritu, mejoraban mis facultades morales e intelectuales, además de permitirme conferir los mismos beneficios a otras personas. (Notas sobre un libro de bodega)

  George Saintsbury

  Book, Wine, People

  George Saintsbury (2008). “Notes on a Cellar-Book”, p.30, Univ of California Press

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• Nada es más curioso que la hostilidad casi salvaje que el Humor suscita en quienes carecen de él.

  George Saintsbury

  Humor, Savages, Curious

  George Saintsbury (1950). “A Last Vintage: Essays and Papers”

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• Criticism is the endeavour to find, to know, to love, to recommend, not only the best, but all the good, that has been known and thought and written in the world.

  George Saintsbury

  Criticism, World, Endeavour

  George Saintsbury, Foreword By Mohit K. Ray (2004). “History Of English Criticism”, p.535, Atlantic Publishers & Dist

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• But the eighteenth century, on the whole, loathed melancholy.

  George Saintsbury

  Melancholy, Century, Whole

  George Saintsbury (2012). “The English Novel”, p.162, tredition

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• Las bebidas alcohólicas, bien utilizadas, son buenas tanto para el cuerpo como para el alma, pero como reconstituyente de ambos no hay nada como el brandy.

  George Saintsbury

  Alcohol, Soul, Body

  George Saintsbury (1963). “Notes on a cellar-book”

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• We shall not busy ourselves with what men ought to have admired, what they ought to have written, what they ought to have thought, but with what they did think, write, admire.

  George Saintsbury

  Escribir, Hombres, Pensar

  "A History of Criticism and Literary Taste in Europe from the Earliest Texts to the Present Day" by George Saintsbury, the first US edition; New York: Dodd, Meads, (Vol. 1, pp. 4-5), (1900-04).

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• So, then, there abide these three, Aristotle, Longinus, and Coleridge.

  George Saintsbury

  Tres

  George Saintsbury, Foreword By Mohit K. Ray (2004). “History Of English Criticism”, p.350, Atlantic Publishers & Dist

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• But dinner is dinner, a meal at which not so much to eat - it becomes difficult to eat much at it as you grow older - as to drink, to talk, to flirt, to discuss, to rejoice "at the closing of the day". I do not think anything serious should be done after it, as nothing should before breakfast.

  George Saintsbury

  Flirting, Thinking, Meals

  George Saintsbury (1922). “A Scrap Book”

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• Let us also once more rejoice in, and thank God for, the fact that we know nothing about Homer, and practically nothing about Shakespeare.

  George Saintsbury

  Thank God, Facts, Rejoice

  George Saintsbury (1924). “A Last Scrap Book”

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• The Book of History is the Bible of Irony.

  George Saintsbury

  Book, Irony

  George Saintsbury, Oliver Elton, Adam Blyth Webster (1945). “George Saintsbury: The Memorial Volume : a New Collection of His Essays and Papers”

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• Oratory is, after all, the prose literature of the savage.

  George Saintsbury

  Savages, Oratory, Literature

  George Saintsbury (1934). “A history of criticism and literary taste in Europe from the earliest texts to the present day”

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• Majorities are generally wrong, if only in their reasons for being right.

  George Saintsbury

  Majority, Reason, Ifs

  George Saintsbury (1950). “A Last Vintage: Essays and Papers”

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• Pero ni siquiera el oro lo es todo: y sólo un fanático, y un fanático bastante tonto, diría que este estilo de ficción resumía y agotaba todo lo bueno que la ficción podía dar y hacer.

  George Saintsbury

  Giving, Style, Gold

  George Saintsbury (1913). “The English Novel”

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• One of the best known, and one of the least intelligible, facts of literary history is the lateness, in Western European Literature at any rate, of prose fiction, and the comparative absence, in the two great classical languages, of what we call by that name.

  George Saintsbury

  Names, Two, Lateness

  George Saintsbury (2012). “The English Novel”, p.11, tredition

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• But at the time when he wrote, Englishmen, with the rarest exceptions, wrote only in French or Latin; and when they began to write in English, a man of genius, to interpret and improve on him, was not found for a long time.

  George Saintsbury

  Latin, Writing, Men

  George Saintsbury (2012). “The English Novel”, p.27, tredition

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• The transition state of manners and language cannot be too often insisted upon: for this affected the process at both ends, giving the artist in fictitious life an uncertain model to copy and unstable materials to work in.

  George Saintsbury

  Artist, Giving, Transition

  George Saintsbury (2012). “The English Novel”, p.209, tredition

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• To pass to the deluge, and beyond it, and to come to close quarters with our proper division, the origin of Romance itself is a very debatable subject, or rather it is a subject which the wiser mind will hardly care to debate much.

  George Saintsbury

  Romance, Mind, Division

  George Saintsbury (2012). “The English Novel”, p.13, tredition

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• Miss Austen had shown the infinite possibilities of ordinary and present things for the novelist.

  George Saintsbury

  Missing, Novelists, Ordinary

  George Saintsbury (2012). “The English Novel”, p.234, tredition

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• The Odyssey is, indeed, one of the greatest of all stories, it is the original romance of the West; but the Iliad, though a magnificent poem, is not much of a story.

  George Saintsbury

  Romance, Stories, West

  George Saintsbury (2012). “The English Novel”, p.11, tredition

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