Hans Arp Quotes - Page 2

• Los artistas deberían trabajar juntos como los artistas de la Edad Media.

  Hans Arp

  Artista, Trabajar juntos, Edad

  "Estética y Medio Ambiente: La apreciación de la naturaleza, el arte y la arquitectura". Libro de Allen Carlson, Routledge, Londres y New York, p. 118, "Abstract Art, Concrete Art", 2005.

  6 Copiar cita

• El hombre que habla y escribe sobre arte debe abstenerse de censurar o pontificar. Así evitará hacer tonterías, pues en presencia de la profundidad primordial todo arte no es más que sueño y naturaleza.

  Hans Arp

  Sueño, Arte, Escritura

  "Arp sobre Arp: poemas, ensayos, recuerdos". Libro de Hans Arp, p. 327, 1958.

  6 Copiar cita

• Dadá le ha dado un clyster a la Venus de Milo y ha dejado descansar un rato al Laocoön y a sus hijos, tras miles de años de lucha con la buena salchicha Pitón. A Dadá los filósofos le sirven menos que un cepillo de dientes viejo, y los deja en el desguace de los grandes líderes del mundo.

  Hans Arp

  Lucha, Hijo, Pitón

  11 Copiar cita

• As the thought comes to me to exorcise and transform this black with a white drawing, it has already become a surface.. .Now I have lost all fear, and begin to draw on the black surface.

  Hans Arp

  White, Drawing, Black

  "Search for the Real". Book by Hans Hofmann, 1948.

  6 Copiar cita

• los arroyos corcovean como carneros en una tienda / restallan los látigos y de las colinas vienen las torcidas /sombras de los pastores. /de los árboles caen huevos negros y cascabeles de tontos. /los tambores de trueno y los timbales golpean los oídos de los burros. /las alas rozan las flores. /fuentes brotan en los ojos del jabalí.

  Hans Arp

  Spring, Flower, Fall

  7 Copiar cita

• In 1915 Sophie Tauber and I carried out our first works in the simplest forms, using painting, embroidery and pasted paper (without using oil colors to avoid any reference with usual painting). These were probably the first manifestations of their kind, pictures that were their own reality, without meaning or cerebral intention. We rejected everything in the nature of a copy or a description, in order to give free flow to what was elemental and spontaneous.

  Hans Arp

  Reality, Order, Color

  6 Copiar cita

• I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attitude toward life itself was wise, as was Dada's.

  Hans Arp

  Wise, Art, Attitude

  7 Copiar cita

• In the good times of Dada, we detested polished works, the distracted air of spiritual struggle, the titans, and we rejected them with all out being.

  Hans Arp

  Spiritual, Struggle, Air

  "Jours effeuillés: Poèmes, essaies, souvenirs". Book by Hans Arp, p. 307, 1966.

  6 Copiar cita

• In recent times, Surrealist painters have used descriptive illusionistic academic methods.

  Hans Arp

  Academic, Used, Method

  "Jours effeuillés: Poèmes, essais, souvenirs 1920-1965". Book by Jean/Hans Arp, p. 63, 1966.

  9 Copiar cita

• Already in 1915, Sophie Tauber divides the surface of her aquarelle into squares and rectangles which she then juxtaposes horizontally and perpendicularly as Mondrian, Itten and Paul Klee did in the same period, fh). She constructs them as if they were masonry work. The colors are luminous, ranging from the raw yellow to deep red or blue.

  Hans Arp

  Squares, Blue, Color

  8 Copiar cita

También te puede gustar:

Tristan Tzara

Max Ernst

Francis Picabia

Kurt Schwitters

Hugo Ball

Marcel Duchamp

Joan Miró

Man Ray