Stuart Dybek Quotes

• The public library is where place and possibility meet.

  Stuart Dybek

  Library, Possibility, Public Library

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• In creation myths, a god shapes mud or clay into living form, much like a potter throws a pot or a sculptor reveals the statue within a block of marble. But a writer has to create his own clay or stone before he can begin shaping life from it.

  Stuart Dybek

  Block, Writing, Clay

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• Nuestros planes de futuro nos hacían reír y sentirnos unidos, pero esos mismos planes hacían que algo más que algo temporal entre nosotros pareciera imposible. Era la primera vez que tenía la sensación de echar de menos a alguien con quien todavía estaba.

  Stuart Dybek

  Missing Someone, Laughing, Feelings

  Stuart Dybek (1990). “The coast of Chicago”, Alfred a Knopf Inc

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• But we didn't, not in the moonlight, or by the phosphorescent lanterns of lightning bugs in your back yard, not beneath the constellations we couldn't see, let alone decipher, or in the dark glow that replaced the real darkness of night, a darkness already stolen from us, not with the skyline rising behind us while a city gradually decayed, not in the heat of summer while a Cold War raged, despite the freedom of youth and the license of first love-because of fate, karma, luck, what does it matter?-we made not doing it a wonder, and yet we didn't, we didn't, we never did.

  Stuart Dybek

  Love, Summer, Karma

  Stuart Dybek (2004). “I Sailed with Magellan”, p.244, Macmillan

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• Love, it’s such a night, laced with running water, irreparable, riddled with a million leaks. A night shaped like a shadow thrown by your absence. Every crack trickles, every overhang drips. The screech of nighthawks has been replaced by the splash of rain. The rain falls from the height of streetlights. Each drop contains its own shattering blue bulb.

  Stuart Dybek

  Correr, Lluvia, Otoño

  Stuart Dybek (2004). “The Coast of Chicago: Stories”, p.86, Picador

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• From its aptly noirish title on, Martin Preib's The Wagon has rightness of authenticity about it. From the perspective of a cop he fashions a compelling view of the Chicago Algren once called 'the dark city.' There's a unique quality to his essays which manage to be broodingly meditative even as their narrative drive keeps you turning pages.

  Stuart Dybek

  Fashion, Dark, Unique

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• In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and scientific-with narration to an engaging effect, one that distinguishes the voice of this new writer.

  Stuart Dybek

  Past, Voice, Space

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• Héctor Tobar's accomplished first novel affords a perspective that is overdue and urgently needed in North American literature- -an insider's vision of L.A. as a Third World city. The Tattooed Soldier is a riveting book that manages to be at once politically informed and at the same time a psychologically astute study of that most elemental of stories: revenge.

  Stuart Dybek

  Revenge, Book, Cities

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• Loaded with note cards for research papers that I was hopelessly behind on, I'd enter the Public Library only to end up wandering around lost, wasting the day.

  Stuart Dybek

  Library, Cards, Research

  Stuart Dybek (1990). “The coast of Chicago”, Alfred a Knopf Inc

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