Mike Patton Quotes

• I think that too many people think too much about my lyrics. I am more a person who works with the sound of a word than with its meaning. Often I just choose the words because of the rhythm not because of the meaning.

  Mike Patton

  Thinking, People, Sound

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• We just wanna be the happy bums that we are. That's all.

  Mike Patton

  Contentamiento

  CMJ New Music Monthly, April 1995.

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• If a person wants to be atheistic it's his God-given right to be an atheist.

  Mike Patton

  Atheist, Humorous, Profound

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• Revenge is good. I think revenge is healthy too, and if you can use music in that way, a sort of therapeutic way for yourself, it can't do any harm. So if King (For A Day... Fool For A Lifetime) is angry in any way, it's angry in a random, chaotic, healthy way. Like the guy who goes into a building, shoots a bunch of holes in the wall and then leaves. He didn't kill anybody.

  Mike Patton

  Kings, Wall, Revenge

  "Faith No More". CMJ New Music Monthly, April 1995.

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• I got one entire song from fortune cookies (Land of Sunshine). On another one, I took words from different Frank Sinatra songs and pasted them together. Another one, I was just driving around and there was a piece of paper on the ground, so I stole it.

  Mike Patton

  Song, Sunshine, Land

  "Biography/ Personal Quotes". www.imdb.com.

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• Quantitative methods are no more synonymous with objectivity than qualitative methods are synonymous with subjectivity.

  Mike Patton

  Objectivity, Subjectivity, Method

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• I'm not a poet. I'm not up onstage to get something off my chest. I'm making musical statements, or, most of the time, musical questions for people to figure out, and I'm not going to get in the way of that.

  Mike Patton

  People, Musical, Way

  The Believer interview, www.believermag.com. January 2013.

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• I learned what I could do with my voice on stages and because of the people that I was around. It wasn't me sitting in a room by myself. I didn't know what I was doing. I was figuring it out on the fly.

  Mike Patton

  Voice, People, Sitting

  The Believer interview, www.believermag.com. January 2013.

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• Any idiot, any stockbroker can get out there and live out a fantasy and pretend like he's playing music. And I don't think there's anything wrong with that.

  Mike Patton

  Thinking, Playing Music, Idiot

  Interview with Gus Mastrapa, music.avclub.com. July 17, 2008.

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• When you start to kind of immerse yourself in that improvisation culture, you gotta be comfortable enough with your instrument to throw yourself into a really potentially dangerous situation.

  Mike Patton

  Dangerous Situations, Culture, Kind

  The Believer interview, www.believermag.com. January 2013.

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• I don't know why, but there's a certain element of panic in writing lyrics that I'm not sure I enjoy. I don't write lyrics first, ever. I've never done that. So, in a sense, the lyrics are a bit of an afterthought - it's music first.

  Mike Patton

  Writing, Elements, Done

  The Believer interview, www.believermag.com. January 2013.

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• That's one of the great things about touring. It makes you machinelike in a way that you can re-create this music not only in the right way but even better than when it was conceived.

  Mike Patton

  Way, Touring, Great Things

  The Believer interview, www.believermag.com. January 2013.

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• I am no one to be a purist.

  Mike Patton

  Interview with Gus Mastrapa, music.avclub.com. July 17, 2008.

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• The studio is my main compositional tool. And I used to be horrible in the studio. I didn't know any kind of technical stuff. But when you have something in your head, you've gotta figure out a way of executing it.

  Mike Patton

  Tools, Stuff, Way

  The Believer interview, www.believermag.com. January 2013.

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• Puffy's the only guy who's jealous. All drummers want to be singers. I think it's a myth that the singer needs to be the focus. Bands perpetuate that myth. With somebody like Sebastian Bach it makes sense. Look at him. He could be in an Avon ad.

  Mike Patton

  Jealous, Thinking, Focus

  Guitar Magazine, September 1992.

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• I lived in Italy for a number of years and I was really digging around trying to get my hands dirty, trying to learn about Italian music. And what I ended up gravitating towards was this stuff from the '50s and '60s and maybe early '70s, where there were these incredibly talented pop singers that weren't using pop bands.

  Mike Patton

  Dirty, Italian, Hands

  Interview with Gus Mastrapa, music.avclub.com. July 17, 2008.

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• I guess I'm getting to the age where a lot of other people my age have real jobs, and when they're hard-up they refer to an old-timer like me.

  Mike Patton

  Jobs, Real, People

  Interview with Gus Mastrapa, music.avclub.com. July 17, 2008.

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• The song is based on a lot of observation and a lot of speculation. But in sort of a pointed way its kind of about Madonna...I think it was a particular time where I was being bombarded with her image on TV and in magazines and her whole schtick kind of speaks to me in that way...like she's going through some sort of problem. It seems she's getting a bit desperate.

  Mike Patton

  Song, Thinking, Magazines

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• The creative process for a musician is very different than for a filmmaker. I have an idea and I can pretty much execute it. As old as I am now and as long as I've been doing it, I can pretty much get it done in a week. While a filmmaker has a great idea that should be out tomorrow, but he has to go through this process of getting financing, then selling it, then casting. I've always been in awe of filmmakers and their patience in realizing their vision because I could never do that.

  Mike Patton

  Long, Creative, Vision

  Fuente: pitchfork.com

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• If someone were to hire me for a film they'd be getting a certain kind of package, that's for sure, a certain set of tools. But I would listen to the director.

  Mike Patton

  Directors, Tools, Kind

  Interview with Gus Mastrapa, music.avclub.com. July 17, 2008.

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• Stan Slaughter is the thoroughbred of the environmental educators I've hired. Second place is not even close.

  Mike Patton

  Environmental, Educator, Thoroughbreds

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• Diamanda Galás, the avant-weird performance artist... 'The devil's wife,' someone calls her. Faith No More loves Diamanda Galás.

  Mike Patton

  Artist, Wife, Devil

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• Trey Spruance no quiso salir de gira durante años. Y Dean Menta siempre ha sido nuestro guitarrista durante Angel Dust, y le recuerdo tocando fantásticamente durante las pruebas de sonido. Durante cada concierto, miraba desde un lado del escenario, viendo a Big Jim tocar cosas que él podría tocar mejor.

  Mike Patton

  Angel, Guitar, Dust

  "Dangerous Jokers". Nieuwe Revu Magazine, May 17-24, 1995.

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