Jonas Mekas Quotes

• In the very end, civilizations perish because they listen to their politicians and not to their poets.

  Jonas Mekas

  Civilization, Politician, Poet

  Jonas Mekas (2016). “Movie Journal: The Rise of New American Cinema, 1959-1971”, p.70, Columbia University Press

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• For an artist, to be normal is a disaster

  Jonas Mekas

  Artist, Normal, Disaster

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• My films are the celebration of reality, of life, of my friends, of actual daily life that passes and is gone tomorrow. We don't pay attention to it when it happens.

  Jonas Mekas

  Reality, Pay, Attention

  Interview with Peter BogdAnOvich, www.interviewmagazine.com. October 26, 2015.

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• In a meadow full of flowers you cannot walk through and breathe those smells and see all those colors and remain angry. We have to support the beauty, the poetry of life.

  Jonas Mekas

  Flower, Color, Smell

  "Jonas Mekas captures one moment at a time". Interview with Molly Glentzer, www.chron.com. November 15, 2013.

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• We are the measure of all things.
  And the beauty of our creation, of our art
  is proportional to the beauty of ourselves
  of our souls.

  Jonas Mekas

  Art, Soul, Creation

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• We need less perfect but more free films.

  Jonas Mekas

  Perfect, Needs, Film

  Jonas Mekas (2016). “Movie Journal: The Rise of New American Cinema, 1959-1971”, p.16, Columbia University Press

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• I'm working in a form of cinema that can be described, and has been described, as a diaristic form of cinema. In other words, with material from my own life. I walk through life with my camera, and occasionally I film. I never think about scripts, never think about films, making films.

  Jonas Mekas

  Thinking, Scripts, Cameras

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• Seek the insignificant small but essential qualities, essential to life

  Jonas Mekas

  Quality, Essentials, Insignificant

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• You have the possibility to give light a dimension in time.

  Jonas Mekas

  Light, Giving, Dimensions

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• I'm not so much in the future as always in the present. The future always takes care of itself. What I do now with my video camera, it can only record what is happening now. I am celebrating reality and the essence of the moment. And that's the greatest challenge that I have.

  Jonas Mekas

  Reality, Essence, Challenges

  "Jonas Mekas: Anthology Film Archives". Interview with Terence Teh, www.dazeddigital.com. April 27, 2011.

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• An adventurer can always return home; an exile cannot. So I decided that my home would be culture.

  Jonas Mekas

  Home, Would Be, Culture

  Fuente: www.interviewmagazine.com

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• The deeper I went into culture, the more confused I got. So I needed something more real. I said, "Okay, from now on, my country will be cinema."

  Jonas Mekas

  Country, Confused, Real

  Interview with Peter BogdAnOvich, www.interviewmagazine.com. October 26, 2015.

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• In Lithuania, I am known as a poet, and they don’t care about my cinema. In Europe they don’t know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!

  Jonas Mekas

  Europe, Care, United States

  Biography/Personal Quote, www.imdb.com.

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• There is no other way to break the frozen cinematic conventions than through a complete derangement of the official cinematic senses.

  Jonas Mekas

  Frozen, Way, Break

  Jonas Mekas (2016). “Movie Journal: The Rise of New American Cinema, 1959-1971”, p.7, Columbia University Press

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• My life is essentially not so unique. On some deeper levels we feel the same, we know the same things. Therefore if I show my life 365 days, moments from those days, it will reflect and it will have connection with lives of all of us.

  Jonas Mekas

  Unique, Connections, Levels

  "Short Films Coming Soon to an iPod Near You". "All Things Considered" with Debbie Elliott, www.npr.org. November 5, 2006.

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• For me, to catch, to celebrate the reality and life and friends and everything around me the very moment it happens - that's what is, that's what I'm possessed by.

  Jonas Mekas

  Reality, Moments, Celebrate

  Interview with Peter BogdAnOvich, www.interviewmagazine.com. October 26, 2015.

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• Place means nothing to me. I can be at home anywhere.

  Jonas Mekas

  Home, Mean, I Can

  "Jonas Mekas: the man who inspired Andy Warhol to make films". Interview with Sean O'Hagan, www.theguardian.com. December 1, 2012.

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• La naturaleza de la cámara de vídeo te hace centrarte en el presente. Como siempre he sido un cineasta diarista, no uno que monta escenas con actores, siempre se ha tratado del momento presente.

  Jonas Mekas

  Focus, Cameras, Video

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• I'm not an abstract artist; I leave that to others. To me, abstract art ended with Kazimir Malevich's 'Black Square.' To continue it is senseless.

  Jonas Mekas

  Art, Squares, Black

  "Jonas Mekas captures one moment at a time". Interview with Molly Glentzer, www.chron.com. November 15, 2013.

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• I make home movies-therefore I live. I live - therefore I make home movies.

  Jonas Mekas

  Inicio

  "Filmmaker Jonas Mekas On Poetry, Ordinary Moments, And Turning 90 For MOCAtv". www.huffingtonpost.com. November 30, 2012.

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• Since 1950 I have been keeping a film diary. I have been walking around with my Bolex and reacting to the immediate reality: situations, friends, New York, seasons of the year. On some days I shoot ten frames, on others ten seconds, still on others ten minutes. Or I shoot nothing. Walden contains material from the years 1964-1968 strung together in chronological order.

  Jonas Mekas

  New York, Reality, Order

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• Just as in writing, there are novelistic and sort of pedestrian ways of telling a story, to write a postcard with your little pocket camera and put it on websites. I think that's where the most exciting kind of imagery and content is being recorded and exchanged today.

  Jonas Mekas

  Writing, Thinking, Today

  Interview with Peter BogdAnOvich, www.interviewmagazine.com. October 26, 2015.

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• I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy's and her sister Lee Radziwill's families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship.

  Jonas Mekas

  Summer, Children, Keys

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• Yes, I got my first Bolex camera a few weeks after being dropped in New York by the United Nations Refugee Organization. That was on October 29th, 1949. With my brother Adolfas, we wanted to make a film about displaced persons, how one feels being uprooted from one's home.

  Jonas Mekas

  Brother, New York, Home

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• Suddenly the intermedia shows are all over town..Theirs remains the most dramatic expression of the contemporary generation. The place where its needs and desperations are most dramatically split open. At the Plastic Inevitable it is All Here and Now and the Future.

  Jonas Mekas

  Expression, Needs, Generations

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