Richard Foreman Quotes

• Understand--it ALWAYS makes sense. Sense can't be avoided. If it first seems to be non-sense, wait: roots will reveal themselves.

  Richard Foreman

  Roots, Waiting, Firsts

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• I come from a tradition of Western culture, in which the ideal (my ideal) was the complex, dense, and 'cathedral-like' structure of the highly educated and articulate personality--a man or woman who carried inside themselves a personally constructed and unique version of the entire heritage of the West. [But now] I see within us all (myself included) there placement of complex inner density with a new kind of self--evolving under the pressure of information overload and the technology of the 'instantly available.'

  Richard Foreman

  Unique, Technology, Men

  "The Pancake People, Or, 'The Gods Are Pounding My Head'". A Statement, www.edge.org. March 8, 2005.

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• There is no work of art that has ever been made that is absolutely truthful about life.

  Richard Foreman

  Art, Truthful, Made

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• Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.

  Richard Foreman

  Art, Real, Issues

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• I'm there to make a kind of theatrical music that is desperately missing in my life. And if other people don't like it, I'm very unhappy, but I can't do anything about that.

  Richard Foreman

  People, Missing, Unhappy

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• I see within us all (myself included) the replacement of complex inner density with a new kind of self—evolving under the pressure of information overload and the technology of the ‘instantly available’.

  Richard Foreman

  Technology, Self, Information

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• If I wasn't in the theater, I would be a hermit.

  Richard Foreman

  Would Be, Theater, Hermits

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• Todo lo que Brecht escribió -obras de teatro, diálogos y poesía- fue su intento de aclarar las contradicciones internas no sólo del capitalismo y el fascismo de su época, sino también del comunismo que siempre defraudaba sus más profundas esperanzas. En un libro que hace de la lucha de Brecht por revelar estas contradicciones ocultas su tema central, Glahn lanza, implícitamente, una llamada a las armas a los artistas de hoy, que se enfrentan a un mundo que parece desafiar los intentos de tratar la crisis global con un arte que rara vez es más que apuntes sobre la angustia "local".

  Richard Foreman

  Art, Struggle, Book

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• I realized that I had to be honest about where I was, where I was coming from, and what I was trying to do.

  Richard Foreman

  Trying, Honest, Being Honest

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• You know, actually, I went to Yale because I wanted to stay out of the army.

  Richard Foreman

  Army, Yale, Wanted

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• It's true, I don't like the real world.

  Richard Foreman

  Real, Mundo, Mundo Real

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• As I told you, from the time I was fifteen, I thought the theater was too much involved with actors trying to make the audience love them, being over emotional.

  Richard Foreman

  Emotional, Over You, Trying

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• Because even at the age of fifteen, I used to go see all the Broadway shows and feel that they were sentimental, that they were pandering to the audience and trying to manipulate the audience. I had no use for practically any of the shows that were hits.

  Richard Foreman

  Age, Trying, Sentimental

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• My play is the ultimate expression of my feeling of the twilight of Western civilization.

  Richard Foreman

  Twilight, Gdp, Expression

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• Now, when I started my theater, the modus operandi was having the actors stare right into the audience.

  Richard Foreman

  Ukulele, Actors, Theater

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• I've been trying to figure out for at least the last 10 years how to force myself into something more risky.

  Richard Foreman

  Years, Trying, Lasts

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• I acted in junior high in the junior high school group, and then when I got into senior high I was, you know, the main actor of the senior high school.

  Richard Foreman

  Senior, School, Aggravation

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• I was enchanted by the escape into that meticulous world that seemed real yet not... well, it seemed not real, but very detailed and meticulous, bizarre.

  Richard Foreman

  Real, World, Enchanted

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• What really happened was one day I decided to write a new kind of play.

  Richard Foreman

  Writing, Play, New Day

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• One does not devote one's life in art to shock an audience.

  Richard Foreman

  Art, Doe, Shock

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