Brian Eno Quotes - Page 12

• I've got a feeling that music might not be the most interesting place to be in the world of things.

  Brian Eno

  Interesting, Feelings, World

  "Q and A With Brian Eno". Interview with Joe Selvin, www.sfgate.com. June 2, 1996.

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• La pintura, creo que es como el jazz.

  Brian Eno

  Thinking, Jazz, Painting

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• Me parecía mágico poder captar algo idéntico en una cinta y luego poder jugar con ello, correrlo hacia atrás; me pareció genial durante años.

  Brian Eno

  Running, Years, Play

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• Veo la televisión como un medio de imagen más que como un medio narrativo.

  Brian Eno

  Narrative, Tvs, Mediums

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• Nunca quise escribir el tipo de canción que dijera: '¡Mira lo anormal, loco y fuera de lo común que soy, tío!

  Brian Eno

  Song, Crazy, Writing

  "Brian Eno: from the Velvet Underground to Burial". Interview with Rob Fitzpatrick, www.theguardian.com. July 1, 2011.

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• Hago muchas piezas musicales que nunca edito como CD.

  Brian Eno

  Cds, Pieces, Release

  "The 77 Million Faces of Brian Eno". Interview with Andrew Marantz, www.motherjones.com. November 12, 2012.

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• I've never used a PC in my life; I don't like them.

  Brian Eno

  Usado

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• Me encanta estar en mi estudio. Sobre todo por la noche.

  Brian Eno

  Night, Studios

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• Siempre uso la misma guitarra; la compré hace años por nueve libras. Todavía tiene las mismas cuerdas.

  Brian Eno

  Guitar, Years, Pounds

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• Make an exhaustive list of everything you might do & do the last thing on the list.

  Brian Eno

  Statistics, Might, Lasts

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• All the best lyrics are written in ten minutes.

  Brian Eno

  Minutes, All The Best, Written

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• A algunas personas se les da muy bien ser "estrellas" y les viene bien. A mí me disgusta y me molesta.

  Brian Eno

  Stars, People, Suits

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• A menudo le digo a la gente que producir es la forma mejor pagada de cobardía. Cuando produces algo casi siempre te llevas el mérito, si es un buen disco, pero casi nunca la culpa si no lo es. En realidad no asumes la responsabilidad de tu trabajo.

  Brian Eno

  Responsibility, People, Credit

  Entrevista con Joshua Klein, pitchfork.com. 2 de noviembre de 2009.

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• Look closely at the most embarrassing details, and amplify them.

  Brian Eno

  Details, Looks, Amplify

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• Si intentara hacer un álbum comercial, sería un completo fracaso. No tengo ni idea de lo que le gusta al mundo en general.

  Brian Eno

  Ideas, Albums, Would Be

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• The most important thing is the thing most easily forgotten.

  Brian Eno

  Important, Forgotten, Easily Forgotten

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• Me he dado cuenta de algo terrible, y es que acepto cualquier cosa si está lo suficientemente lejos en el futuro.

  Brian Eno

  Enough, Terrible, Agree

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• There are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn't designed to do. I have this relationship with my synthesizers. I've had them for so long, and I've never had them serviced, so that now practically all of their functions operate differently from what they were designed to do. They do very interesting things now, but that means nobody else can use them either.

  Brian Eno

  Mean, Long, Giving

  Fuente: www.interviewmagazine.com

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• Utilicé sobre todo los aparatos del estudio, porque sabía lo que tenían. En general, me gusta utilizar lo que hay. Si no hay nada, invento algo. Por ejemplo, una de las cosas que intenté hacer fue conseguir un pequeño altavoz y alimentar los instrumentos de la cinta a través de este pequeño altavoz y luego a través de este enorme tubo de plástico de unos 15 metros de largo que utilizaban para limpiar la piscina en el lugar donde me alojaba. Obtienes este sonido realmente hueco, cavernoso, extraño, un sonido muy agradable. Finalmente no lo usamos, pero sin embargo bien podriamos haberlo hecho.

  Brian Eno

  Nice, Swimming, Long

  Fuente: www.interviewmagazine.com

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• People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious. "Ah, yes, that's electronic music." But they don't realize that so is the concept of actually taking a piece of extant music and literally re-collaging it, taking chunks out and changing the dynamics radically and creating new rhythmic structures with echo and all that. That's real electronic music, as far as I'm concerned.

  Brian Eno

  Real, People, Focus

  Fuente: www.interviewmagazine.com

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• A lot of the so-called systems composers have this thing that the system is always right. You don't fiddle with it at all. Well, I don't think that. I think the system is as right as you judge it to be. If for some reason you don't like a bit of it you must trust your intuition on that. I don't take a doctrinaire approach to systems.

  Brian Eno

  Thinking, Judging, Intuition

  Fuente: www.interviewmagazine.com

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• I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn't what they wanted. So, I try to make signs, graphically and visually, to say to people "Okay, this is this department of my work and this is this other department of my work." And of course I'm very pleased if people like all of them, but I don't want them to feel deceived at any point.

  Brian Eno

  Song, Hate, Land

  Interview with Mark Richardson, pitchfork.com. November 1, 2010.

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• When I've finally got the title, I think, "Okay, yes, now I know where we are. Now I know what it is. Fine, that must be finished or nearly finished.

  Brian Eno

  Thinking, Titles, Fine

  Interview with Mark Richardson, pitchfork.com. November 1, 2010.

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• I think that's very significant that we're so attached to the idea now of - it was something I advocated for years, that you can make music in studios, music doesn't have to be made as a real-time experience. But now you see the results of that in people who are completely crippled unless they know that they have the possibility of "cut and paste" and "undo." And "undo" and "undo" and "undo" and "undo" and "undo" again.

  Brian Eno

  Real, Cutting, Thinking

  Interview with Mark Richardson, pitchfork.com. November 1, 2010.

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• Está empezando a producirse una especie de convergencia entre el ordenador y los instrumentos musicales, pero aún queda mucho camino por recorrer.

  Brian Eno

  Long, Musical, Way

  Interview by Mark Richardson, pitchfork.com. November 1, 2010.

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