Adam Rapp Quotes - Page 2

• It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.

  Adam Rapp

  Important, Trying, Weight

  Adam Rapp (2006). “The Year of Endless Sorrows: A Novel”, p.390, Macmillan

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• Grief does not expire like a candle or the beacon on a lighthouse. It simply changes temperature. It becomes a kind of personal weather system. Snow settles in the liver. The bowels grow thick with humidity. Ice congeals in the stomach. Frost spiderwebs in the lungs. The heart fills with warm rain that turns to mist and evaporates through a colder artery.

  Adam Rapp

  Grief, Rain, Heart

  Adam Rapp (2002). “Nocturne: A Play”, p.79, Macmillan

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• I imagine a soul is a little perfect crystal egg floating in your chest. Somewhere deeper than where they put your heart. Somewhere so deep inside that the doctors can't find it with all their machines and microcameras.

  Adam Rapp

  Heart, Doctors, Eggs

  Adam Rapp (2012). “The Children and the Wolves”, p.9, Candlewick Press

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• Cuando dirijo, es muy, muy, muy, muy diferente. Soy una persona mucho más práctica en el mundo, llego a tiempo, soy muy rigurosa con la programación y estoy muy centrada. Pero cuando escribo soy un desastre irresponsable y es imposible ponerse en contacto conmigo, y no paso tiempo con mis amigos.

  Adam Rapp

  Writing, World, Different

  Fuente: www.broadwayworld.com

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• Man, that's the only kind of book I like – one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.

  Adam Rapp

  Real, Libro, Escritura

  Adam Rapp (2011). “Under the Wolf, Under the Dog”, p.117, Candlewick Press

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• You can't run forever. There's only so much pavement that the road makers lay down. After a while, the highway quits going north and it just turns into sky. And you can't go anywhere in the sky unless you have a plane or some kind of rocket.

  Adam Rapp

  Running, Sky, Forever

  Adam Rapp (2011). “33 Snowfish”, p.45, Candlewick Press

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• When I got inside, I just sort of stood there. There's nothing stranger than the smell of someone else's house. The scent goes right to your stomach. Mary's house smelled like lemon furniture polish and oatmeal cookies and logs in a fireplace. For some reason it made me want to curl up in the fetal position. I could have slept right there on their kitchen table.

  Adam Rapp

  Smell, Oatmeal, House

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• I don't like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.

  Adam Rapp

  Directors, Rooms, Type

  Fuente: www.broadwayworld.com

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• Sometimes when I'm directing, the stage manager will have a good idea and that's okay with me.

  Adam Rapp

  Ideas, Sometimes, Stage Managers

  Fuente: www.broadwayworld.com

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• The rooms I tend to be in are pretty democratic and the best idea wins.

  Adam Rapp

  Winning, Ideas, Rooms

  Fuente: www.broadwayworld.com

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• I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, "well if I'm going to fight against this, I should learn how to direct".

  Adam Rapp

  Fighting, Thinking, Play

  Fuente: www.broadwayworld.com

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• I just love working with actors, and I love working with writers, working with designers.

  Adam Rapp

  Actors, Designer

  Fuente: www.broadwayworld.com

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• When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.

  Adam Rapp

  Couple, Actors, Rooms

  Fuente: www.broadwayworld.com

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• I think I'm a little more daunted by when the machinery of the play is really huge.

  Adam Rapp

  Thinking, Play, Littles

  Fuente: www.broadwayworld.com

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• I don't put big concepts on my work, and it's all often about keeping actors in a room together and not letting them leave.

  Adam Rapp

  Together, Actors, Rooms

  Fuente: www.broadwayworld.com

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• I think, for me, when I direct my own work it's just an extension of the authorship.

  Adam Rapp

  Thinking, Authorship, Working It

  Fuente: www.broadwayworld.com

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• What I've learned in the last few years is that I am merely a storyteller.

  Adam Rapp

  Years, Lasts, I've Learned

  Fuente: www.broadwayworld.com

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• I've never really felt that I've had the right hair cut, or had the right clothes.

  Adam Rapp

  Cutting, Hair, Clothes

  Fuente: www.broadwayworld.com

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• I've never really felt good at the parties, but I have enough friends now that I feel social, I used to feel very antisocial, but I think the theater helps.

  Adam Rapp

  Party, Thinking, Helping

  Fuente: www.broadwayworld.com

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• A typical day for me is I'm writing when I'm not directing.

  Adam Rapp

  Writing, Typical

  Fuente: www.broadwayworld.com

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• Creo que soy sensible porque mi hermano era actor y vi cómo se las apañaba.

  Adam Rapp

  Brother, Thinking, Actors

  Fuente: www.broadwayworld.com

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• I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren't going to get the job, and I hate putting them through that.

  Adam Rapp

  Trabajo, Odio, Pensamiento

  Fuente: www.broadwayworld.com

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• I feel that I'd rather know an actors' work, or have an instinct about them and sit down and have coffee with them, or I'll see them in something and I'll see if I can get along with them in some way, shape, or form.

  Adam Rapp

  Coffee, Down And, Way

  Fuente: www.broadwayworld.com

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• I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it's a lie already at work.

  Adam Rapp

  Lying, Actors, Process

  Fuente: www.broadwayworld.com

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• I began stealing a lot of ideas from other directors I had worked with.

  Adam Rapp

  Ideas, Directors, Stealing

  Fuente: www.broadwayworld.com

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