DJ Spooky Citas

• Our contemporary life is based on information that can change at any time.

  DJ Spooky

  Information, Life Is, Contemporary

  "Explorers. What Is Your Passion?" by DJ Spooky, www.marandapleasantmedia.com.

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• If you don't understand the past, the future won't make much sense either.

  DJ Spooky

  Pasado, Si

  Fuente: www.motherjones.com

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• Sampling is a new way of doing something that’s been with us for a long time […] The mix breaks free from the old associations. New contexts form from old. The script gets flipped. The languages evolve and learn to speak in new forms, new thoughts. The sound of thought becomes legible again at the edge of the new meanings.

  DJ Spooky

  Long, Association, Way

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• The planet isn't improvising, it's creating dynamic tensions between complex living systems in a planetary choreography, a balancing act between physical, chemical, biological, environmental, and human components.

  DJ Spooky

  Creating, Environmental, Chemicals

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• The world is a very, very, very big record. We just have to learn how to play it.

  DJ Spooky

  Play, Records, World

  "The Book of Ice" by Paul D. Miller (DJ Spooky), www.marandapleasantmedia.com.

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• My work is all about creating new paths for thinking about the possibilities inherent in all art; another world is possible!

  DJ Spooky

  Arte, Pensar, Crear

  "Explorers. What is your passion?". www.marandapleasantmedia.com.

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• DJ culture is all about collage - sampling, splicing, dicing - everything is part of the mix, and there are no boundaries between sound sources. When you apply the same logic to the environment, there's a lot of room for mapping sampling techniques to the environment itself.

  DJ Spooky

  Technique, Sound, Culture

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• I think that the audience intuitively understands the idea of sampling and remixing stories. That's why electronic music is global.

  DJ Spooky

  Pensar, Ideas, Historias

  Fuente: www.motherjones.com

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• With multimedia, everything blurs. Software takes the concept of the imagination and makes it something you can edit, tweak, and transform with digital techniques. Everything becomes an edited file.

  DJ Spooky

  Imagination, Technique, Digital

  Fuente: www.motherjones.com

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• You're only as good as your record collection.

  DJ Spooky

  Records, Spooky, Collections

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• Para mí, la imaginación es el recurso renovable por excelencia.

  DJ Spooky

  Imagination, Renewable Resources, Resources

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• Antarctica, one of the things that was so remarkable about it was that the ice itself is a kind of pure geometry, so say, for example, if I was facing someone wearing I don't know, a Joy Division t-shirt with the mountains on it or something like that.

  DJ Spooky

  Ice, Joy, Mountain

  Fuente: bigthink.com

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• I think that electronic music mirrors the complexity of "information landscapes." You carry the terrain in your mind.

  DJ Spooky

  Thinking, Mirrors, Mind

  Fuente: www.motherjones.com

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• We live in a world so utterly infused with digitality that it makes even the slightest action ripple across the collection of data bases we call the web.

  DJ Spooky

  Data, World, Action

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• Reality itself is [made up of] chance processes linked to sets of rules - this is what drives the world, the universe, and just about anything a human being can imagine.

  DJ Spooky

  Reality, World, Chance

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• I like the idea of it as a trickster motif. You know like you're kind of just messing around with people's memories of songs.

  DJ Spooky

  Song, Memories, Ideas

  Fuente: bigthink.com

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• Tendrás este tipo de relación psicológica con las imágenes de la música, pero esa idea se traslada a las aplicaciones del iPhone. Se traslada a los pequeños iconos de tu ordenador. Usted lo nombra.

  DJ Spooky

  Iphone, Names, Ideas

  Big Think Interview, bigthink.com. April 8, 2010.

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• In my book "Sound Unbound" we traced the guy who actually came up with the main concept for the graphic design of the record cover sleeve. His name is Alex Steinweiss. And one of the things in my book that we really tried to figure out was the revolution in graphic design that occurred when people put images on album covers.

  DJ Spooky

  Libro, Nombres, Personas

  Fuente: bigthink.com

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• The most scarce resource we have these days is the idea.

  DJ Spooky

  Ideas, Resources, These Days

  Fuente: www.motherjones.com

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• I usually am very specific about how I engage information, how I engage people, what context I'm engaging and, above all, the research that goes into each of those.

  DJ Spooky

  People, Research, Information

  Fuente: bigthink.com

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• So sound art I'm always intrigued with how little we use of other senses and we just prioritize the eye and you just want to see everything and navigate. You know the art world is similar. Like I wish people would use their ears a lot more.

  DJ Spooky

  Art, Eye, People

  Fuente: bigthink.com

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• For me, DJ culture - with its obsession with collecting records and archiving everything - predated the "cloud" concept with primitive material like the mixtape. Now we would call it "collaborative filtering" or something technical, but the impulse is the same - gather fragments, make something new. That is how you will bypass the climate-change skeptics: render them totally obsolete.

  DJ Spooky

  Clouds, Records, Mixtapes

  "DJ Spooky’s Icy Philharmonic". Interview with Hannah Levintova, www.motherjones.com. October 17, 2011.

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• Sound... if you look at bats you know that navigate with sonar, they're like you know they're very precise. They can even see a bat head towards a building and swerve away, but you'll see a bird that doesn't... you know smash right into a glass window. It's very funny.

  DJ Spooky

  Glasses, Bird, Sound

  Big Think Interview, bigthink.com. April 8, 2010.

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• There is a complexity and layering that goes on with this kind of thing, so the music is slightly repetitive and when I say repetitive it's in the same tradition as people like Steve Reich or Erik Satie or even WC.

  DJ Spooky

  People, Goes On, Kind

  Fuente: bigthink.com

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• Phonetics, you know speech, all this kind of stuff, phonograph, simple, but when you unpack the meaning it actually kind of expands out and that is what I was going for in my book "Sound Unbound" was to try and get people to figure out how do we unpack some of the meanings that go into these kinds of sonically coded landscapes.

  DJ Spooky

  Book, Simple, People

  Big Think Interview, April 8, 2010.

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