Joshua Oppenheimer Quotes

• En una película de ficción, sabemos que en cierto nivel hemos suspendido la incredulidad. En un documental, sabemos que estamos viendo un drama que se desarrolla en el mundo gracias a la película que estamos viendo y que es real. Hay mucho en juego para toda la sociedad, y nosotros, al verlo, completamos la historia.

  Joshua Oppenheimer

  Real, Drama, World

  Fuente: www.esquire.com

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• Films can't change the society, they can simply open the space for the discussion which can lead to social change and can start new forms of social activism. I feel formally that I've scratched the surface of something very important about the nature of nonfiction film, about what we're very rarely honest about: When you film anybody, they start performing.

  Joshua Oppenheimer

  Important, Honest, Film

  Fuente: www.esquire.com

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• I think we create our world through stories. We use storytelling to escape or protect ourselves from the unimaginable and the horrible - from the real, in a way. It's like white light - if you put everyday reality through a prism you get this rainbow of colors that you couldn't see before. I'm interested in exploring the world to show the things that are invisible. And not just undocumented aspects of reality, but to actually make manifest things that have been hitherto invisible through the intervention of filmmaking.

  Joshua Oppenheimer

  Real, Thinking, Rainbow

  Fuente: www.guernicamag.com

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• The whole tradition of cinema is dominated, really, by films about good guys versus bad guys, good versus evil. But we have very few films about the nature of evil itself.

  Joshua Oppenheimer

  Evil, Guy, Cinema

  "Lights, Camera, Murder!". Interview with Amos Roberts, www.sbs.com.au. October 15, 2013.

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• I'm trying to understand how do we tell lies to ourselves to justify what we've done and what are the consequences of those lies? But actually maybe I also recognize that in turning empathy into a practice for many years, by turning, by forcing myself to separate at some level the humanity of a human being from his or her actions and recognizing that sometimes, even the moral aspects of a human being can contribute to immoral behavior.

  Joshua Oppenheimer

  Lying, Years, Practice

  Fuente: www.pbs.org

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• The killers have built the society. The whole Indonesia is their platform. They run the country. They run the country.

  Joshua Oppenheimer

  Country, Running, Killers

  Fuente: www.sbs.com.au

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• I always have said, you know it's not for me to forgive or to condemn, I'm a filmmaker.

  Joshua Oppenheimer

  Forgiving, Said, Filmmaker

  "Filmmaker Interview". "POV", www.pbs.org. OCtober 6, 2014.

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• Direct cinema is about simulating a reality in which you're not having the overwhelming influence that you really are having.

  Joshua Oppenheimer

  Reality, Influence, Overwhelming

  Fuente: www.guernicamag.com

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• I believe every time you film anybody, you create reality with that person - whether it's fiction or nonfiction. If you acknowledge that filming is an occasion where people express things they might not otherwise express, that offers a much more insightful analysis of why documentaries - even of the fly-on-the-wall variety - are powerful. I think that our task as filmmakers is to create the most insightful reality given the most pressing questions.

  Joshua Oppenheimer

  Powerful, Believe, Reality

  Fuente: www.interviewmagazine.com

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• We lie to ourselves and try to escape that bitter reality by saying that the world is divided into good guys and bad guys, and that we're the good guys. We condemn people as evil to reassure us that we're not like them. If there's to be any hope of preventing these things from happening again, we have to look at the reality. That any act of evil in our history was committed by human beings like us. That, very often, we're all implicated in it.

  Joshua Oppenheimer

  Lying, Reality, Evil

  Fuente: www.interviewmagazine.com

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• I need to trust myself and go where my instincts tell me, and to be as wild and free as possible in my creative decisions.

  Joshua Oppenheimer

  Creative, Decision, Instinct

  Fuente: www.esquire.com

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• Hay una tradición de recreación en los documentales que consiste en ilustrar cómo podría haber sido el pasado.

  Joshua Oppenheimer

  Past, Might, Documentaries

  "Filmmaker Interview". "POV", www.pbs.org. October 6, 2014.

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• I really believe that the past is beyond our grasp and what is essential about the past is something unspeakable.

  Joshua Oppenheimer

  Believe, Past, Essentials

  "Filmmaker Interview". "POV", www.pbs.org. October 6, 2014.

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• Me considero más un explorador que un narrador.

  Joshua Oppenheimer

  Storyteller, Explorers

  " ‘The Act of Killing’ Director on Dreams, Recognition and Impact" by Joshua Oppenheimer, www.indiewire.com. November 20, 2014.

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• I don't believe you can make an honest film about another person in all their complexities from a place of distance. You can make a journalistic report, you can judge someone from a distance, but you can't really get to know them.

  Joshua Oppenheimer

  Distance, Believe, Judging

  Fuente: www.guernicamag.com

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• I think we need to make documentaries about fantasy and storytelling. I think I just started to scratch the surface of a method that allows us to do that. We want to be sucked into the events, suspend our disbelief and imagine that this is a fiction, but actually putting onscreen the gap between who the people are and who they want to be and therefore opening the question about why they want to be this person.

  Joshua Oppenheimer

  Pensamiento, Gente, Fantasía

  Fuente: www.esquire.com

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• A podium is something you walk up to, you say what you want to say and when you're finished, you leave.

  Joshua Oppenheimer

  Up To You, Want, Walks

  "Filmmaker Interview". "POV", www.pbs.org. October 6, 2014.

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• Todos y cada uno de los autores eran fanfarrones, normalmente me invitaban a los lugares donde mataban y yo, por supuesto, aceptaba esas invitaciones porque así podía documentar lo que ocurría.

  Joshua Oppenheimer

  Way, Accepting, Perpetrators

  "Filmmaker Interview". "POV", www.pbs.org. October 6, 2014.

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• In Indonesian, the word isn't translating as "gangster." It's "preman", which comes from the Dutch "préman", which of course the thing that's "freeman" in English.

  Joshua Oppenheimer

  Men, Dutch, Gangsters

  Fuente: collider.com

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• Performance is always oriented towards a spectator, towards an imagined audience and I was thinking who is their imagined audience?

  Joshua Oppenheimer

  Thinking, Spectators, Audience

  "Filmmaker Interview". "POV", www.pbs.org. October 6, 2014.

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• We can distance ourselves from the reality of what we did through storytelling.

  Joshua Oppenheimer

  Distance, Reality, Storytelling

  Fuente: www.esquire.com

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• I've become more forgiving, even though I have no patience at all for denial, justification of wrong, rationalization. I've become virtually a pacifist, so I feel that no atrocity is ever justified. I've become more vigilant about evil. I think I recognize its seeds more quickly. I see its source.

  Joshua Oppenheimer

  Thinking, Evil, Forgiving

  Fuente: www.esquire.com

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• People create the illusion of acting natural, which is what I think most documentarians do in part because of the direct cinema orthodoxies that came into play really in the '60s. That moment of performance is a tremendous opportunity to make visible something hitherto invisible, which is how people want to be seen. How do they see themselves? What are the scripts, fantasies, genres by which they imagine themselves? How is storytelling part of what we are as human beings? We wouldn't kill each other en masse if it weren't for storytelling. We wouldn't be able to live with ourselves.

  Joshua Oppenheimer

  Oportunidad, Pensamiento, Personas

  Fuente: www.esquire.com

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• When you approach someone as a human being, truly and try to be as open as safety allows, some of the bigger reenactments with a whole army of paramilitary people participating, I couldn't say my feelings openly in front of everybody, without it being dangerous for my crew.

  Joshua Oppenheimer

  Army, People, Safety

  "Filmmaker Interview". "POV", www.pbs.org. October 6, 2014.

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• Después de que los holandeses abandonaran Indonesia, después de que los indonesios se soltaran en 1945, los hombres libres no se utilizaron tanto, pero entonces atravesaron un auténtico Renacimiento en el que la dictadura militar se hizo con el poder.

  Joshua Oppenheimer

  Military, Real, Renaissance

  Fuente: collider.com

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