Moss Hart Quotes

• All the mistakes I ever made were when I wanted to say 'No' and said 'Yes'.

  Moss Hart

  Mistake, Made, Said

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• The self-hatred that destroys is the waste of unfulfilled promise.

  Moss Hart

  Self, Hatred, Promise

  Moss Hart (2014). “Act One: An Autobiography”, p.401, St. Martin's Griffin

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• So far as I know, anything worth hearing is not usually uttered at seven o'clock in the morning; and if it is, it will generally be repeated at a more reasonable hour for a larger and more wakeful audience.

  Moss Hart

  Morning, Hearing, Hours

  moss hart (1959). “act one”

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• I have had many successes and many failures in my life. My successes have always been for different reasons, but my failures have always been for the same reason: I said yes when I meant no.

  Moss Hart

  Different, Reason, Said

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• You'd be surprised how many kings are only a queen with a moustache.

  Moss Hart

  Kings, Queens, Moustache

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• The only credential the city asked was the boldness to dream. For those who did, it unlocked its gates and its treasures, not caring who they were or where they came from.

  Moss Hart

  Dream, Caring, Cities

  moss hart (1959). “act one”

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• I have had the irreplaceable opportunity of learning my profession with the proper tools, the most important of which is not a pencil or a typewriter, but the necessary time to think before using them.

  Moss Hart

  Time, Opportunity, Thinking

  moss hart (1959). “act one”

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• How many of us would be willing to settle when we're young for what we eventually get? All those plans we make...what happens to them? It's only a handful of the lucky ones that can look back and say that they even came close.

  Moss Hart

  Would Be, Lucky, Looks

  George Simon Kaufman, Moss Hart (1980). “Three Plays”, p.203, Grove Press

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• There's nothing the matter with Hollywood that a good earthquake couldn't cure.

  Moss Hart

  Earthquakes, Hollywood, Matter

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• Poor people know poor people, and rich people know rich people. It is one of the few things La Rochefoucauld did not say, but then La Rochefoucauld never lived in the Bronx.

  Moss Hart

  Gente, Ricos, Pobres

  moss hart (1959). “act one”

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• Self-deception is sometimes as necessary a tool as a crowbar.

  Moss Hart

  Self, Deception, Tools

  moss hart (1959). “act one”

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• One of the grave dangers inherent in the various stages of any theatrical career-whether it be budding, quiescent or diminishing-is the advice of friends.

  Moss Hart

  Careers, Advice, Actors

  moss hart (1959). “act one”

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• A too constant preoccupation with money may seem to indicate the lack of a proper sense of moral values, but [let] those who have always had money . . . be without it for a while, and they will soon discover how quickly it becomes their chief concern.

  Moss Hart

  Money, May, Moral

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• Playwriting, like begging in India, is an honorable but humbling profession.

  Moss Hart

  India, Theater, Humbling

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• Nobody bores any man as much as an unhappy female.

  Moss Hart

  Men, Unhappy, Female

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• Boredom is the keynote of poverty - of all its indignities, it is perhaps the hardest of all to live with - for where there is no money there is no change of any kind.

  Moss Hart

  Boredom, Poverty, Kind

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• Otros siglos tuvieron sus motores. ¿Qué habrá sido el nuestro cuando los hombres lo recuerden algún día? Tal vez no sea el siglo americano, después de todo. O el Siglo Ruso o el Siglo Atómico. ¿No sería maravilloso, Phil, que resultara ser el siglo de todos, en el que la gente de todo el mundo, la gente libre, encontrara una forma de vivir junta? Me gustaría estar cerca para ver algo de eso, incluso el principio.

  Moss Hart

  Paz, Hombres, Personas

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• Without vanity a writer's work is tepid, and he must accept his vanity as part of his stock in trade and live with it as one of the hazards of his profession.

  Moss Hart

  Vanity, Hazards, Accepting

  moss hart (1959). “act one”

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• Julie Andrews has a wonderful British strength that makes you wonder why they lost India.

  Moss Hart

  India, Wonder, Lost

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• There is nothing that one can say about acting, writing, producing or directing that cannot be revoked in the next breath. Nothing is immutable. The logic of one year is a folly of the next.

  Moss Hart

  Writing, Years, Acting

  moss hart (1959). “act one”

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• There is nothing like tasting the grit of fear for rediscovering that the umbilical cord is made of piano wire.

  Moss Hart

  Family, Piano, Wire

  moss hart (1959). “act one”

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• Can success change the human mechanism so completely between one dawn and another? Can it make one feel taller, more alive, handsomer, uncommonly gifted and indomitably secure with the certainty that this is the way life will always be? It can and it does!

  Moss Hart

  Life, Success, Dawn

  moss hart (1959). “act one”

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• The frivolity with which all theatrical activity is conducted has one consoling feature-there are no rules of behavior that apply regularly to any part of the theatre.

  Moss Hart

  Theatre, Behavior, Theater

  moss hart (1959). “act one”

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• One begins with two people on a stage, and one of them had better say something pretty quick.

  Moss Hart

  Two, People, Theatre

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• I have always understood the unbelieving look in the eyes of those whom success touches early - it is a look half fearful, as though the dream were still in the process of being dreamed and to move or to speak would shatter it.

  Moss Hart

  Dream, Moving, Eye

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