Mike Svob Quotes

• Un cuadro con mensaje no surge por casualidad. Ocurre cuando colocas los elementos en su orden de importancia.

  Mike Svob

  Order, Doe, Elements

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• The theme, or harmony, of a painting can be created by any one of its visual elements. A single colour... repetition of shapes... Light can be a theme.

  Mike Svob

  Light, Elements, Shapes

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• Being true to oneself more often leads one toward success rather than away from it.

  Mike Svob

  Being True, Oneself, True To Oneself

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• Artists need not meet any standards to practice their craft... Virtually every other occupation requires some sort of license, union membership or something that says you are qualified.

  Mike Svob

  Artist, Practice, Crafts

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• The way we see is critical to understanding how others will read our compositions.

  Mike Svob

  Understanding, Way, Critical

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• Realistically there is no limit to the possibilities. How does an artist make decisions?

  Mike Svob

  Artist, Decision, Doe

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• Monet, Manet, Sisley, Renoir, Van Gogh and others went outside to paint for one simple reason - it looks different outside.

  Mike Svob

  Simple, Different, Looks

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• Think of the centre of interest in a painting as you would read it in a novel or see it in a movie. The crisis or climax is that point when you simply can't put the book down or wouldn't dare leave the movie, for whatever reason.

  Mike Svob

  Book, Thinking, Painting

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• Ponga un símbolo, o un lenguaje de algún tipo, en un cuadro y el espectador lo notará, sepa o no leer ese lenguaje concreto.

  Mike Svob

  Painting, Language, Symbols

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• La persona que ve tu trabajo no tiene ni idea de cómo era realmente la escena, ni le importa.

  Mike Svob

  Ideas, Care, Scene

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• The wide open nature of any truly creative artistic endeavor is one of its most important virtues, and one of its harshest realities. Only the most determined, hardest working, capable and creative will make their way to earning a good living by their art.

  Mike Svob

  Art, Reality, Creative

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• The difficult part of the process is the long exploration and discovery of your own soul and living with the results.

  Mike Svob

  Discovery, Long, Soul

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• By merely increasing or decreasing the amount of contrast in any area we can move the observer through the painting.

  Mike Svob

  Moving, Painting, Contrast

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• When we look at a painting, listen to a piece of music, read a novel, or watch a movie we are taking in the artist's composition. The composition is the totality of the work.

  Mike Svob

  Artist, Watches, Looks

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• That a viewer does not see what the artist intended does not make the composition a failure... In reality all artists speak first to themselves and then to an audience.

  Mike Svob

  Artista, Realidad, Doe

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• All artists are illusionists of one kind or another.

  Mike Svob

  Artist, Kind, Illusionists

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• All paintings are abstract ideas, not representations of a true reality.

  Mike Svob

  Reality, Ideas, Painting

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• You have to understand how the human eye behaves when it views a scene for the first time. Work with that knowledge, and your paintings will have more drama and will evoke strong reactions.

  Mike Svob

  Strong, Drama, Eye

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