Roy Lichtenstein Citas

• My work isn't about form. It's about seeing. I'm excited about seeing things, and I'm interested in the way I think other people see things.

  Roy Lichtenstein

  Pensamiento, Personas, Visión

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• El arte pop se asoma al mundo. No parece un cuadro de algo, sino la cosa misma.

  Roy Lichtenstein

  Arte, Miradas, Mundo

  Entrevista de G.R. Swenson, "Painters on Painting" de Eric Protter, p 263, 1971.

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• Use the worst colour you can find in each place - it usually is the best.

  Roy Lichtenstein

  Use, Worst, Colour

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• I like to pretend that my art has nothing to do with me.

  Roy Lichtenstein

  Arte, Arquitectura

  "Biography/ Personal Quotes". www.imdb.com.

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• Organized perception is what art is all about.

  Roy Lichtenstein

  Art, Perception, Art Is

  Roy Lichtenstein, John Caplans (1968). "Roy Lichtenstein: Exposición 6 ene.-4 feb. 1968, Tate Gallery, Londres ..."

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• Outside is the world; it's there. Pop Art looks out into the world.

  Roy Lichtenstein

  Arte, Miradas, Mundo

  Roy Lichtenstein, John Caplans (1968). "Roy Lichtenstein: Exposición 6 ene.-4 feb. 1968, Tate Gallery, Londres ..."

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• There must be something about art... almost all cultures have done art. It's a refining of the senses, which are there to keep us alive. As far as we know, no other animals do that.

  Roy Lichtenstein

  Art, Animal, Culture

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• All my art is in some way about other art, even if the other art is cartoons.

  Roy Lichtenstein

  Art, Way, Ifs

  Calvin Tomkins, Roy Lichtenstein (1988). “Roy Lichtenstein: mural with blue brushstroke”, ABRAMS

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• I'm never drawing the object itself; I'm only drawing a depiction of the object - a kind of crystallized symbol of it.

  Roy Lichtenstein

  Drawing, Kind, Depiction

  Roy Lichtenstein, Jack Cowart, Katonah Museum of Art, Dixon Gallery and Gardens (2009). “Lichtenstein in process”

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• Art doesn't transform. It just plain forms.

  Roy Lichtenstein

  Art, Creative, Art Education

  Roy Lichtenstein, John Caplans (1968). "Roy Lichtenstein: Exposición 6 ene.-4 feb. 1968, Tate Gallery, Londres ..."

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• My use of evenly repeated dots and diagonal lines and uninflected color areas suggest that my work is right where it is, right on the canvas, definitely not a window into the world.

  Roy Lichtenstein

  Color, Use, World

  Roy Lichtenstein, Jack Cowart, Katonah Museum of Art, Dixon Gallery and Gardens (2009). “Lichtenstein in process”

  38 Copiar cita

• Im not really sure what social message my art carries, if any. And I dont really want it to carry one. Im not interested in the subject matter to try to teach society anything, or to try to better our world in any way.

  Roy Lichtenstein

  Art, Our World, Trying

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• I'd always wanted to know the difference between a mark that was art and one that wasn't.

  Roy Lichtenstein

  Art, Drawing, Differences

  Calvin Tomkins, Roy Lichtenstein (1988). “Roy Lichtenstein: mural with blue brushstroke”, ABRAMS

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• El Pop Art es pintura industrial. Creo que el significado de mi obra es que es industrial, es en lo que pronto se convertirá todo el mundo. Europa será igual, pronto, no será americano; será universal.

  Roy Lichtenstein

  Arte, Pensamiento, Europa

  Roy Lichtenstein, John Caplans (1968). "Roy Lichtenstein: Exposición 6 ene.-4 feb. 1968, Tate Gallery, Londres ..."

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• Lo que me interesa es pintar el tipo de antisensibilidad que impregna la civilización moderna. Creo que el arte desde Cezanne se ha vuelto extremadamente romántico e irrealista, alimentándose del arte. Es utópico. Cada vez tiene menos que ver con el mundo. Mira hacia dentro - neo-Zen y todo eso. El arte pop mira hacia el mundo. No parece una pintura de algo, sino la cosa misma.

  Roy Lichtenstein

  Arte, Pensamiento, Civilización

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• I dont have big anxieties. I wish I did. Id be much more interesting.

  Roy Lichtenstein

  Art, Interesting, Anxiety

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• El color es crucial en la pintura, pero es muy difícil hablar de él.

  Roy Lichtenstein

  Color, Pintura, Color

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• Tomo un cliché y trato de organizar sus formas para hacerlo monumental. La diferencia no suele ser grande, pero sí crucial.

  Roy Lichtenstein

  Differences, Trying, Cliche

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• The things that I have apparently parodied I actually admire.

  Roy Lichtenstein

  Admire

  "Roy Lichtenstein: from heresy to visionary" by Sarah Churchwell, www.theguardian.com. February 23, 2013.

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• People think one-point and two-point perspective is how the world actually looks, but of course, it isn't. It's a convention.

  Roy Lichtenstein

  Pensar, Dos, Personas

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• Im interested in what would normally be considered the worst aspects of commercial art. I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.

  Roy Lichtenstein

  Art, Thinking, Way

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• I think that most people think painters are kind of ridiculous, you know?

  Roy Lichtenstein

  Thinking, People, Ridiculous

  "Nuevo otra vez: Roy Lichtenstein". Entrevista con David Bowie, www.interviewmagazine.com. 20 de septiembre de 2012.

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• Personally, I feel that in my own work I wanted to look programmed or impersonal but I don't really believe I am being impersonal when I do it. And I don't think you could do this.

  Roy Lichtenstein

  Believe, Thinking, Looks

  "Biography/ Personal Quotes". www.imdb.com.

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• But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.

  Roy Lichtenstein

  Drawing, Want, Making Changes

  "Nuevo otra vez: Roy Lichtenstein". Entrevista con David Bowie, www.interviewmagazine.com. 20 de septiembre de 2012.

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• The big tradition, I think, is unity. And I have that in mind; and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true. As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist's vision.

  Roy Lichtenstein

  Artist, Thinking, Long

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