Elia Suleiman Citas

• Living more intensely, more lovingly, with more camaraderie, that is in itself resistance.

  Elia Suleiman

  Resistance, Camaraderie, Living More

  Fuente: www.guernicamag.com

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• People in power tend to find poetry dangerous to them because it is dislocating, they can't catch it, can't control it. They prefer coherence, what's blunt and has clarity.

  Elia Suleiman

  People, Coherence, Clarity

  Fuente: www.guernicamag.com

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• What cinema can do is the reordering of this reality from a certain chaos or from a certain order into an aesthetic dimension.

  Elia Suleiman

  Reality, Order, Cinema

  Fuente: www.guernicamag.com

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• I'm trying to use Palestine as a microcosm of the world, but maybe the world is a microcosm of Palestine. We're living in a moment that has lost attachment to the ideology behind boundaries.

  Elia Suleiman

  Attachment, Trying, Use

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• I don't really know what people's perception about Palestinians.All art is to better life. We want to create hope and share with others. Create more pleasure, and object to despair. Really it's about that. A space where we can be less aggressed upon.

  Elia Suleiman

  Arte, Espacio, Personas

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• El silencio puede ser intimidatorio, a veces provocador, a veces una forma de resistencia porque disloca.

  Elia Suleiman

  Silence, Resistance, Sometimes

  Fuente: www.guernicamag.com

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• I do not teach history in my films. I don't have a linear point of view or argument. What I do in my films is to live the human experience; human, whether in Nazareth or anywhere else in the world.

  Elia Suleiman

  Views, World, Nazareth

  Fuente: www.guernicamag.com

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• There are a lot of questions that come out of the silence. It is so close to the infinite.

  Elia Suleiman

  Silence, Infinite

  Fuente: www.guernicamag.com

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• Palestine is an extremely familiar place to me. Someone like me who lives everywhere in the world cannot be contained. If my hope and ambitions are in the right place, you can judge that in my films. I want to make films that diffuse any local notion. Cinema criss-crosses borders and check points. If the film is good, then it's universal.

  Elia Suleiman

  Ambition, Judging, Borders

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• I try to use fiction in order to reduce the potentiality of something being true. We produce our own memories so I'm not sure of truth.

  Elia Suleiman

  Memories, Order, Trying

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• I don't want what you see on the screen to just be a brief notion of pleasure but something that lingers. The idea is to have the images revisited. I want it to be something that also enhances the soul. I want the moment of pleasure to produce an attachment.

  Elia Suleiman

  Attachment, Ideas, Soul

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• El tiempo que queda es una forma de interpretar un determinado ambiente o emoción. Son las historias que mi padre me contó a lo largo de quince o veinte años. Yo le escuchaba. Por la parte cobarde de mi carácter, siempre tengo miedo de no contar la historia correcta. No me interesa hacer epopeyas.

  Elia Suleiman

  Father, Character, Epic

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• No tengo especialmente buena memoria. Creo que la historia es muchas veces sólo el texto escrito por los vencedores. Quería contrarrestar ese aspecto.

  Elia Suleiman

  Memories, Thinking, Aspect

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• Someone like myself is not from one place. I am in total identification with the New York, French, and Palestine experience and do not stop at the borders of identity.

  Elia Suleiman

  New York, Identity, Borders

  Fuente: www.guernicamag.com

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• I think that whatever we express in terms of the potential truth is above all else about mobilizing ourselves for ourselves. We learn about ourselves as individuals. Identification with Palestine is universal and not restricted to geographic boundaries. It's a question of moral and ethical positions vis-à-vis all the injustices that surround us.

  Elia Suleiman

  Thinking, Moral, Injustice

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• A lot of narrative films leave you no space for anything else but eating popcorn. I want to go in the complete opposite direction. I have to evacuate all psychology, to be less a protagonist and more a presence.

  Elia Suleiman

  Opposites, Space, Psychology

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• I am more at peace than I've ever known myself to be. My connectedness to the world is more intense. I am more attentive to the humanity around me.

  Elia Suleiman

  Humanity, World, Intense

  Fuente: www.guernicamag.com

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• I don't think there should be a Palestinian state because I don't believe in states.

  Elia Suleiman

  Believe, Thinking, States

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• It's important for me to not historicize. I work to diffuse the issue of identity and to intensify identification. You have to lose your authority in the making of a film to achieve this. The film is about me being absolutely dislocated. I focus on the very personal to arrive at the very political.

  Elia Suleiman

  Issues, Focus, Political

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• I'm not in the business of saying just one thing about just one place. If you only see Palestine in my films, then I've failed because then I'm just a provincial filmmaker.

  Elia Suleiman

  Film, Palestine, Just One

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• To think that we are disconnected in some way serves the occupation whether it's through indifference or a distancing. It is a colonial approach of making you a subject and them the spectators. That is disturbing and counterproductive. And then suddenly they are surprised or find it alienating that the microcosmic effects of Palestine are happening in the U.S., France, and England, whether it's from the Islamic movements or immigration factors. Keeping a false purity of their countries will harm them eventually.

  Elia Suleiman

  Country, Islamic, Thinking

  Fuente: www.guernicamag.com

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• Palestine is about how we drink the water, whether we are being ecological or not. Palestine is our way of exercising our daily living. That's what's going to solve the problem of Palestine. It's also how we think of ourselves spiritually. This kind of disconnectedness is harmful to the person who is acting that way and is sometimes annoying.

  Elia Suleiman

  Exercise, Thinking, Water

  Fuente: www.guernicamag.com

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• If a person just takes what is socio-political and geographical from the themes of my films then that's not enough. But if the person goes out of the theatre and, for example, makes the dinner he's eating later on, extra nice then I feel that I have succeeded. We have this urge to anaesthetize the moment we're living in.

  Elia Suleiman

  Nice, Political, Theatre

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• It's a false illusion that we wake up thinking of who we are in terms of identity and that we are stuck in the boundaries of who we are nationalistically.

  Elia Suleiman

  Thinking, Identity, Wake Up

  Fuente: www.guernicamag.com

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• It's crucial to choose your work place - some places lend themselves to you and others don't.

  Elia Suleiman

  Work Place, Crucial

  "The Other Face of Silence". Interview with Nathalie Handal, www.guernicamag.com. May 1, 2011.

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