Citas de Tim Matheson

• I love JFK. My mother had been a worker on his campaign and adored him.

  Tim Matheson

  Mother, Campaigns, Workers

  Interview with Noel Murray, www.avclub.com. February 17, 2009.

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• With comedy, you really want to work things out beforehand.

  Tim Matheson

  Want, Comedy

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• I always wanted to be an actor. I was one of those lucky kids - or cursed kids - who always knew what he wanted to do.

  Tim Matheson

  Kids, Lucky, Actors

  Interview with Noel Murray, www.avclub.com. February 17, 2009.

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• I understood the workmanlike quality of a good stand-up. They all have this. There's a technique for everything you do. But boy, it's tough, 'cause there ain't anybody else out there but you.

  Tim Matheson

  Boys, Quality, Tough

  Fuente: www.avclub.com

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• Como actor y director, siempre dejo hacer a mis actores... suponiendo que tengan buenas ideas.

  Tim Matheson

  Suponiendo que

  Fuente: www.avclub.com

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• Life has its ups and downs, so to expect otherwise is setting yourself up for disappointment.

  Tim Matheson

  Disappointment, Ups & Downs, Settings

  "Tim Matheson: On the Whole Live Challenge and never wallowing in disappointment". Interview with Robert Piper, www.marandapleasantmedia.com.

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• Funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny. I think it's that if you don't have the visual, you have to infuse the full personality into the voice.

  Tim Matheson

  Eye, Thinking, Personality

  Fuente: www.avclub.com

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• I'd come up with one leg in theater, but never my first leg. I loved the camera too much.

  Tim Matheson

  Fuente: film.avclub.com

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• Chevy Chase had been a bad boy with a drug problem, and had never really realized his potential. Fletch was the first movie he sort of straightened up on. And Michael Ritchie was Harvard-educated, 6'6", a brilliant director and political thinker. He was the guy the studio thought could handle Chevy, and keep him in check. And he could.

  Tim Matheson

  Boys, Guy, Political

  Fuente: film.avclub.com

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• We wanted to make Tucker's Witch just more human and playful, because I don't think we see enough playfulness between characters on TV. It's like, "Who really gives a damn about two detectives on a case?" The sillier we went, the better it worked.

  Tim Matheson

  Carácter, Pensar, Dar

  Fuente: film.avclub.com

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• I kept thinking that with all those first jobs, "This is the beginning of something!" And then nothing would happen. That's the real Hollywood.

  Tim Matheson

  Real, Thinking

  Fuente: film.avclub.com

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• Meeting Jerry Mathers I remember thinking, "This is it, man. This is the Hollywood life! I'm an actor and I'm going to Jerry's party. This is how it begins!" I was 13 or 14, and I thought this was the beginning of something.

  Tim Matheson

  Fiesta, Hombres, Pensamiento

  Fuente: film.avclub.com

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• As a director, I know everybody's job, and I know how to do it. I can smell bullshit when someone's telling me it can't be done, because I've seen it done a hundred thousand times.

  Tim Matheson

  Bullshit, Done

  Fuente: www.avclub.com

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• I love horror films. And I like chick flicks! I like to approach the different genres of moviemaking and explore them. And you get a little better the more you do them.

  Tim Matheson

  Different, Horror, Film

  Fuente: www.avclub.com

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• Tucker's Witch was the first television I'd done in a while. It was just before Moonlighting, and just before you could get a little more outrageous on TV. We had a great premise.

  Tim Matheson

  Done, Witch

  Fuente: film.avclub.com

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• To me, as a director and an actor, that's the main thing. "What's the heart of this story? What's the humanity of this story? And if the movie doesn't have it, then why am I watching it?" Even if it's a silly comedy, like Superbad or Knocked Up - Judd Apatow, I love, because he's all about heart. The humor comes out of the humanity.

  Tim Matheson

  Silly, Heart, Love Is

  Fuente: film.avclub.com

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• I read Animal House and I said, "I will burn down a house to be in this. I have to be in this movie." I read 1941 and I went, "Well, if Steven Spielberg likes it..." But it just wasn't on the page. It was a very big, unwieldy thing, and there were so many characters. It was fun to shoot, but I didn't know what the core of it was.

  Tim Matheson

  Fun, Character, Animal

  Fuente: film.avclub.com

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• Whenever I study a genre of film-making, Steve Spielberg is the first guy I go to. Even Catch Me If You Can, which is a very lightweight kind of thing, if you just look at the economy of the way he designs his shots and works around actors, the craft is amazing.

  Tim Matheson

  Design, Guy, Study

  Fuente: film.avclub.com

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• I grew up on a set. The guys I hung around with were crew guys: the camera department, the prop guys. I was like the third kid through the door when I was a kid actor on Leave It To Beaver. I was always one of five guys who would have a couple lines. I was a journeymen actor in my first career, so I was appreciative of the journeymen on the set.

  Tim Matheson

  Couple, Kids, Guy

  Fuente: film.avclub.com

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• Había estado trabajando en sets de rodaje más tradicionales y en programas de televisión en Universal. De repente, nos encontramos en el rodaje de "Animal House", un rodaje sucio y rápido. Era la forma en que el nuevo mundo comercial estaba rodando; la forma en que el mundo indie estaba rodando. Eran cámaras más ligeras y rápidas. Fue un cambio generacional.

  Tim Matheson

  Dirty, Animal, House

  Fuente: film.avclub.com

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• Sam Kinison was one of the most compulsive people I'd ever seen. James Belushi was that way, and Chris Farley was that way. He was incredibly talented and made me laugh so hard, and there was nothing he wouldn't say. Such a unique, amazing, cynical, realistic, but still optimistic look at life he had. It was great fun to get to know him.

  Tim Matheson

  Fun, Optimistic, Unique

  Fuente: film.avclub.com

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• There is something about the vocal quality of the actors who can really do it. Jim Burrows, the great sitcom director who directed Will & Grace and Cheers, when an actor comes in to audition for him, he never looks at them. He just listens. Because funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny.

  Tim Matheson

  Cheer, Eye, Grace

  Fuente: film.avclub.com

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• I always wanted to be an actor. I was one of those lucky kids - or cursed kids - who always knew what he wanted to do. My wife too. She's a ballet dancer, and she's known what she wanted to do since she was 5. My mother used to tell this story about how our TV set had been taken to be repaired, and back then, they took the set out of the console. So there was this empty console with an empty TV screen in it, and I would climb inside and be like, "I'm on TV!"

  Tim Matheson

  Mother, Taken, Kids

  Fuente: www.avclub.com

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• Change is good, and ultimately, creating a new path at this point in my life is energizing, creative, and rejuvenating.

  Tim Matheson

  Creating, Creative, Change Is Good

  "Tim Matheson: On the Whole Live Challenge and never wallowing in disappointment". Interview with Robert Piper, www.marandapleasantmedia.com.

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• Creo que el idealismo siempre ha existido en Estados Unidos. Es un espíritu que últimamente ha sido subvertido y vendido a los contratistas, con la privatización de todos los aspectos del gobierno. Es tan frío y cínico - todo dólares y centavos y parcelarlo y venderlo y degradarlo y externalizarlo. No tienen en cuenta lo que le hace a la gente. Creo que el espíritu de este país por fin está volviendo, y esperemos que triunfe.

  Tim Matheson

  País, Pensamiento, Gente

  Fuente: www.avclub.com

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