Sally Potter Quotes

• As the director, you have to hold in your head the widest possible vision. Not just the idea and the story, but the conceptual content. But at the same time, you have to consider the tiniest, tiniest detail.

  Sally Potter

  Ideas, Vision, Directors

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• You can't really divorce women's struggles in the world from women's in the cinema. As long as there's hierarchy it means that women are somehow secondary or second class or less than. That's going to be reflected in movies because films are the most powerful medium to reflect back society's view of itself

  Sally Potter

  Powerful, Struggle, Divorce

  "TIFF: Interview with Sally Potter – Writer and Director of Ginger and Rosa". Interview with Melissa Silverstein, www.indiewire.com. September 13, 2012.

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• El lenguaje cinematográfico, tal y como ha evolucionado, también ha excluido vastas franjas de la experiencia humana. Las formas que encontramos en el proceso de realización de una película pueden empezar a restablecer este equilibrio y aventurarse en territorios inexplorados. No se trata sólo de identidades desconocidas, sino de las sutilezas y matices de la contemplación, de los espacios a la deriva en los que chocan los mundos de lo muy pequeño y lo muy grande. El trabajo de cámara forma parte de ello.

  Sally Potter

  Space, Balance, Identity

  Fuente: www.guernicamag.com

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• I've always traveled with the films because I want the audience to be my teacher so that I can learn for the next one.

  Sally Potter

  Teacher, Directors, Want

  Biography/Personal Quotes, www.imdb.com.

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• I think yes is the most beautiful and necessary word in the English language.

  Sally Potter

  Beautiful, Thinking, Language

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• To me there is an intimate relationship between austerity and more lush aesthetics. They're two faces of the same coin.

  Sally Potter

  Intimate Relationships, Two, Coins

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• The female struggle implies the black struggle, it implies the struggle with anti-Semitism, it implies all of the other struggles. That is the only possible way to think about human liberation.

  Sally Potter

  Struggle, Thinking, Black

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• Un hilo narrativo permite a la gente pensar en otras cosas mientras se deja llevar por su flujo. No significa que uno tenga que comprometer su visión o cuestionar las preocupaciones formales. Sólo se trata de ser más sutil e inteligente al tener un hilo accesible.

  Sally Potter

  Clever, Mean, Thinking

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• I think that the word feminism doesn't imply enough in terms of solidarity with other liberation struggles. I am firmly committed to the notion that no one group can be freed until all groups are freed.

  Sally Potter

  Struggle, Thinking, Feminism

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• My writing method is to sit in a very small hut absolutely alone. I write in total solitude. And I write on paper, on hand, and then it gets typed. Normal for me.

  Sally Potter

  Writing, Hands, Solitude

  Fuente: blogs.indiewire.com

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• I am not interested in making didactic polemical statements. That is not the way I want to make films. There is a place for polemics, but I don't think that it is in fictional cinema. Fictional cinema works subtly and deeply.

  Sally Potter

  Thinking, Cinema, Want

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• Entre los años cincuenta de la posguerra - domesticidad, gente feliz de estar viva después de la Segunda Guerra Mundial, queriendo construir un hogar, formar una familia, hacer un nido. Las mujeres fueron empujadas de nuevo al hogar después de haber estado activas en la Segunda Guerra Mundial. Fue un gran momento Doris Day para las mujeres, que no sentó bien a todas.

  Sally Potter

  Guerra, Hogar, Gente

  "TIFF: Interview with Sally Potter – Writer and Director of Ginger and Rosa". Interview with Melissa Silverstein, www.indiewire.com. September 13, 2012.

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