Franklyn Ajaye Quotes

• I have no desire to be hip to the latest black slang and do the stereotypical black thing. I was a Richard Pryor fan, and I have used profanity in my act. But when it becomes a whole thing that defines blacks, we're limiting ourselves. The enemy is us.

  Franklyn Ajaye

  Black, Enemy, Desire

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• Moving to Australia was not a career move, but a quality of life issue. It has no guns, no God, and no gangster rap. As an Ethiopian cab driver said to me the other day when I was returning from a gig in Sydney, Australia is a peaceful, democratic place. I like the relatively stress free lifestyle. It's worth the drop in income.

  Franklyn Ajaye

  Stress, Rap, Moving

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• La originalidad nunca se adopta tan rápidamente como el lugar común.

  Franklyn Ajaye

  Originality, Commonplace

  Franklyn Ajaye (2002). “Comic Insights: The Art of Stand-up Comedy”

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• Very few blacks will take up golf until the requirement for plaid pants is dropped.

  Franklyn Ajaye

  Sports, Golf, Requirements

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• This whole urban rap thing needs to be pulled back some. The ghetto is being glorified, and there's nothing good about the ghetto except getting out of one.

  Franklyn Ajaye

  Rap, Ghetto, Needs

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• Bombing teaches you how badly you want to become a comedian. Because unless it's a burning desire, you'll quit when the consistent bombing becomes too much to take.

  Franklyn Ajaye

  Comedian, Desire, Burning

  Franklyn Ajaye (2002). “Comic Insights: The Art of Stand-up Comedy”

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• Don't try to give a funny opinion; give your opinion in a way that will be funny.

  Franklyn Ajaye

  Giving, Trying, Way

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• Being black and speaking properly are not mutually exclusive. My father was an African, and he spoke beautifully at home. Nelson Mandela speaks beautifully. Should Mandela put his hat on backwards and say, 'Yo, homey, this is Nelson. Yo, Winnie, yo, this is def'?

  Franklyn Ajaye

  Father, Home, Black

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• I don't like the fact that most black people or black comedians have to present themselves in a flamboyant way. It's good if you can do that, but I don't like to think that's the way all black comedians are. I'm not that type.

  Franklyn Ajaye

  Pensamiento, Gente, Negro

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• Black people drink lots of beer. However, you won't see us skiing down a mountain for one, or see us diving for Frisbees on concrete for one.

  Franklyn Ajaye

  Beer, People, Alcohol

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• If I'm crisp and economical in my delivery, have smooth transitions, movement and animation, and flights of fancy, that would get me an A.

  Franklyn Ajaye

  Transition, Movement, Fancy

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• When I saw a sign on the freeway that said, "Los Angeles 445 miles," I said to myself, "I've got to get out of this lane."

  Franklyn Ajaye

  Funny, Humor, Saws

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• An aspiring comedian must be determined to get to his or her true feelings on a subject and convey that to the audience. Figure out what you're feeling or interested in because the goal is to get the audience interested in what you're interested in. Good stand up comedy is drawing people into your head.

  Franklyn Ajaye

  Drawing, People, Goal

  Franklyn Ajaye (2002). “Comic Insights: The Art of Stand-up Comedy”

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• You can't wait forever for an audience to get the joke, but you should give them at least two seconds to join in before you go on to the next one.

  Franklyn Ajaye

  Two, Giving, Waiting

  Franklyn Ajaye (2002). “Comic Insights: The Art of Stand-up Comedy”

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• Taping yourself and making yourself listen to the tape of each performance no matter how bad is really important. There's always a nugget line or a direction pointed out to you in even the worst show.

  Franklyn Ajaye

  Important, Nuggets, Tape

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• Obviously the audience has veto power signified by whether they laugh or not, but you-not them-retain the ultimate power to decide what they're going to get the opportunity to laugh at.

  Franklyn Ajaye

  Opportunity, Laughing, Veto

  Franklyn Ajaye (2002). “Comic Insights: The Art of Stand-up Comedy”

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• Being a professional comedian is doing it right and good, when you don't feel like it.

  Franklyn Ajaye

  Comedian, Feels

  Franklyn Ajaye (2002). “Comic Insights: The Art of Stand-up Comedy”

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• Evaluate every performance on: stage presence, concentration, delivery, material and lessons learned.

  Franklyn Ajaye

  Lesson Learned, Lessons, Stage

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• I advise treating the studio audience like a nightclub audience because that's the reason you're doing television - to get them to come see you in a nightclub.

  Franklyn Ajaye

  Television, Reason, Advise

  Franklyn Ajaye (2002). “Comic Insights: The Art of Stand-up Comedy”

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• Ideally, you want to be in a fifty-fifty power-sharing arrangement with the audience - both of you are there for a mutually enjoyable experience.

  Franklyn Ajaye

  Experience, Fifty, Want

  Franklyn Ajaye (2002). “Comic Insights: The Art of Stand-up Comedy”

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• When I've mentioned things that I thought only happened to me, or thoughts that I felt had only had crossed my mind, the audience response indicated that they seemed to have happened to, or been thought of by many people.

  Franklyn Ajaye

  People, Mind, Response

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• In addition to listening to the audience's laugh, you want to listen to their silence. Is it bored or interested silence? The silence is quieter and filled with energy when they're interested. You can hear a pin drop. When they're bored, you can always hear it.

  Franklyn Ajaye

  Bored, Laughing, Silence

  Franklyn Ajaye (2002). “Comic Insights: The Art of Stand-up Comedy”

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• I don't think that comedians have a tradition of trashing the next generation.

  Franklyn Ajaye

  Thinking, Comedian, Generations

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• Una técnica que desarrollé de forma bastante natural para ayudarme a realizar transiciones fluidas fue utilizar una palabra o frase de la siguiente rutina en la anterior.

  Franklyn Ajaye

  Technique, Transition, Routine

  Franklyn Ajaye (2002). “Comic Insights: The Art of Stand-up Comedy”

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• You must study their deliveries, their use of their bodies, their timing, and their use of audio and vocal effects.

  Franklyn Ajaye

  Use, Body, Audio

  Franklyn Ajaye (2002). “Comic Insights: The Art of Stand-up Comedy”

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